17,99 €
inkl. MwSt.

Versandfertig in 1-2 Wochen
  • Broschiertes Buch

Meet Jean des Esseintes: reclusive, diseased, the last scion of an outmoded aristocratic family. He is also an unapologetic aesthete, prone to overwhelmingly intense sensory experiences in the presence of art. As he finds himself ever more enervated by the illness that consumes him, des Esseintes turns his back on wider society - a society he loathes - and retreats "upwards into dream, seeking refuge in illusions of extravagant fantasy." The result is a masterpiece of decadence, insanity, invective, and sheer style.

Produktbeschreibung
Meet Jean des Esseintes: reclusive, diseased, the last scion of an outmoded aristocratic family. He is also an unapologetic aesthete, prone to overwhelmingly intense sensory experiences in the presence of art. As he finds himself ever more enervated by the illness that consumes him, des Esseintes turns his back on wider society - a society he loathes - and retreats "upwards into dream, seeking refuge in illusions of extravagant fantasy." The result is a masterpiece of decadence, insanity, invective, and sheer style.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Charles-Marie-Georges Huysmans (1848 - 1907 in Paris) was a French novelist who published his works as Joris-Karl Huysmans. He is most famous for the novel À rebours (1884, published in English as Against the Grain or Against Nature). He supported himself by a 30-year career in the French civil service. Huysmans' work is considered remarkable for its idiosyncratic use of the French language, large vocabulary, descriptions, satirical wit and far-ranging erudition. First considered part of Naturalism, he became associated with the decadent movement with his publication of À rebours. His work expressed his deep pessimism, which had led him to the philosophy of Arthur Schopenhauer. In later years, his novels reflected his study of Catholicism, religious conversion and becoming an oblate. He discussed the iconography of Christian architecture at length in La cathédrale (1898), set at Chartres and with its cathedral as the focus of the book.