100 years of European cinema
Entertainment or ideology?
Herausgeber: Holmes, Diana; Smith, Alison
100 years of European cinema
Entertainment or ideology?
Herausgeber: Holmes, Diana; Smith, Alison
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Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. European cinema has dealt with the tension between these two functions in a variety of ways. Diverse and entertaining, this book explores the complex relationship between entertainment, ideology and audiences in European film.
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Cinema provides entertainment, but it also communicates a set of values, a vision of the world or an ideology. European cinema has dealt with the tension between these two functions in a variety of ways. Diverse and entertaining, this book explores the complex relationship between entertainment, ideology and audiences in European film.
Produktdetails
- Produktdetails
- Verlag: Manchester University Press
- Seitenzahl: 224
- Erscheinungstermin: 1. März 2015
- Englisch
- Abmessung: 216mm x 140mm x 12mm
- Gewicht: 288g
- ISBN-13: 9780719058721
- ISBN-10: 0719058724
- Artikelnr.: 22059845
- Verlag: Manchester University Press
- Seitenzahl: 224
- Erscheinungstermin: 1. März 2015
- Englisch
- Abmessung: 216mm x 140mm x 12mm
- Gewicht: 288g
- ISBN-13: 9780719058721
- ISBN-10: 0719058724
- Artikelnr.: 22059845
Diana Holmes is Professor of French at the University of Leeds Alison Smith is Head of Film Studies at the University of Liverpool
Introduction - Diana Holmes & Alison Smith Part I: Ideologies and cinematic
pleasure 1. But eastward, look, the land is brighter: towards a topography
of utopia in the Stalinist musical - Richard Taylor 2. Entertained by the
class enemy: cinema programing policy in the German Democratic Republic -
Rosemary Stott 3. The forbidden films: film censorship in the wake of the
Eleventh Plenun - Daniela Berghahn 4. Sex and subversion in German
Democratic Republic cinema: The legend of Paul and Paula (1973) - Andrea
Rinke 5. The Good Soldier svejk and after: the comic tradition in Czech
film - Peter Hames 6. Cheaper by the dozen: La gran familia, Francoism and
Spanish family comedy - Peter William Evans 7. Displacing the hero:
masculine ambivalence in the cinema of Luis García Berlanga - Parvati Nair
8.'When you're not a worker yourself...': Godard, the Dziga Vertov Group
and the audience - Steve Cannon 9. Quand une femme n'en est pas une:
gendered spectatorship and feminist scopophilia in the early films of
Jean-Luc Godard - Eliane Meyer 10. The fictionalisation of terrorism in
West German cinema - Stefan Wolff Part II: Entertainment and its ideologies
11. Of human bondage and male bonding: male relationships in recent Russian
cinema - David Gillespie 12. Entertainment - but where's the ideology?
Truffaut's last films - Diana Holmes 13. Performance in the films of Agnès
Varda - Alison Smith 14. Singing our song: music, memory and myth in
contemporary European cinema - Wendy Everett 15. Transatlantic crossings:
ideology and the remake - Julia Dobson 16. 'Faith in relations between
people': Audrey Hepburn, Roman Holiday and European integration - Peter
Krämer Index
pleasure 1. But eastward, look, the land is brighter: towards a topography
of utopia in the Stalinist musical - Richard Taylor 2. Entertained by the
class enemy: cinema programing policy in the German Democratic Republic -
Rosemary Stott 3. The forbidden films: film censorship in the wake of the
Eleventh Plenun - Daniela Berghahn 4. Sex and subversion in German
Democratic Republic cinema: The legend of Paul and Paula (1973) - Andrea
Rinke 5. The Good Soldier svejk and after: the comic tradition in Czech
film - Peter Hames 6. Cheaper by the dozen: La gran familia, Francoism and
Spanish family comedy - Peter William Evans 7. Displacing the hero:
masculine ambivalence in the cinema of Luis García Berlanga - Parvati Nair
8.'When you're not a worker yourself...': Godard, the Dziga Vertov Group
and the audience - Steve Cannon 9. Quand une femme n'en est pas une:
gendered spectatorship and feminist scopophilia in the early films of
Jean-Luc Godard - Eliane Meyer 10. The fictionalisation of terrorism in
West German cinema - Stefan Wolff Part II: Entertainment and its ideologies
11. Of human bondage and male bonding: male relationships in recent Russian
cinema - David Gillespie 12. Entertainment - but where's the ideology?
Truffaut's last films - Diana Holmes 13. Performance in the films of Agnès
Varda - Alison Smith 14. Singing our song: music, memory and myth in
contemporary European cinema - Wendy Everett 15. Transatlantic crossings:
ideology and the remake - Julia Dobson 16. 'Faith in relations between
people': Audrey Hepburn, Roman Holiday and European integration - Peter
Krämer Index
Introduction - Diana Holmes & Alison Smith Part I: Ideologies and cinematic
pleasure 1. But eastward, look, the land is brighter: towards a topography
of utopia in the Stalinist musical - Richard Taylor 2. Entertained by the
class enemy: cinema programing policy in the German Democratic Republic -
Rosemary Stott 3. The forbidden films: film censorship in the wake of the
Eleventh Plenun - Daniela Berghahn 4. Sex and subversion in German
Democratic Republic cinema: The legend of Paul and Paula (1973) - Andrea
Rinke 5. The Good Soldier svejk and after: the comic tradition in Czech
film - Peter Hames 6. Cheaper by the dozen: La gran familia, Francoism and
Spanish family comedy - Peter William Evans 7. Displacing the hero:
masculine ambivalence in the cinema of Luis García Berlanga - Parvati Nair
8.'When you're not a worker yourself...': Godard, the Dziga Vertov Group
and the audience - Steve Cannon 9. Quand une femme n'en est pas une:
gendered spectatorship and feminist scopophilia in the early films of
Jean-Luc Godard - Eliane Meyer 10. The fictionalisation of terrorism in
West German cinema - Stefan Wolff Part II: Entertainment and its ideologies
11. Of human bondage and male bonding: male relationships in recent Russian
cinema - David Gillespie 12. Entertainment - but where's the ideology?
Truffaut's last films - Diana Holmes 13. Performance in the films of Agnès
Varda - Alison Smith 14. Singing our song: music, memory and myth in
contemporary European cinema - Wendy Everett 15. Transatlantic crossings:
ideology and the remake - Julia Dobson 16. 'Faith in relations between
people': Audrey Hepburn, Roman Holiday and European integration - Peter
Krämer Index
pleasure 1. But eastward, look, the land is brighter: towards a topography
of utopia in the Stalinist musical - Richard Taylor 2. Entertained by the
class enemy: cinema programing policy in the German Democratic Republic -
Rosemary Stott 3. The forbidden films: film censorship in the wake of the
Eleventh Plenun - Daniela Berghahn 4. Sex and subversion in German
Democratic Republic cinema: The legend of Paul and Paula (1973) - Andrea
Rinke 5. The Good Soldier svejk and after: the comic tradition in Czech
film - Peter Hames 6. Cheaper by the dozen: La gran familia, Francoism and
Spanish family comedy - Peter William Evans 7. Displacing the hero:
masculine ambivalence in the cinema of Luis García Berlanga - Parvati Nair
8.'When you're not a worker yourself...': Godard, the Dziga Vertov Group
and the audience - Steve Cannon 9. Quand une femme n'en est pas une:
gendered spectatorship and feminist scopophilia in the early films of
Jean-Luc Godard - Eliane Meyer 10. The fictionalisation of terrorism in
West German cinema - Stefan Wolff Part II: Entertainment and its ideologies
11. Of human bondage and male bonding: male relationships in recent Russian
cinema - David Gillespie 12. Entertainment - but where's the ideology?
Truffaut's last films - Diana Holmes 13. Performance in the films of Agnès
Varda - Alison Smith 14. Singing our song: music, memory and myth in
contemporary European cinema - Wendy Everett 15. Transatlantic crossings:
ideology and the remake - Julia Dobson 16. 'Faith in relations between
people': Audrey Hepburn, Roman Holiday and European integration - Peter
Krämer Index