To those who espouse the conception of culture will reproduce tension and find this field the adopted standard. However, I cannot leave these questions of aftermath behind any human institution. Why art? Why imagination and experience? Why beauty and aesthetics? Why truth and falsehood? We look for answers with anomalous normality. Beyond these, I find other considerations that weight heavily in accrediting judgments. Does one have to limit himself to objects and events that are found in his locality or explore world as he travels? Who determines the subjects and themes for an artist? ... In…mehr
To those who espouse the conception of culture will reproduce tension and find this field the adopted standard. However, I cannot leave these questions of aftermath behind any human institution. Why art? Why imagination and experience? Why beauty and aesthetics? Why truth and falsehood? We look for answers with anomalous normality. Beyond these, I find other considerations that weight heavily in accrediting judgments. Does one have to limit himself to objects and events that are found in his locality or explore world as he travels? Who determines the subjects and themes for an artist? ... In this collection, that explores the issues including social interaction, consumption, waste and the contradictions that form the dynamics of everyday life, I am trying to expand the kinds of haiku I have called the responsible blue and I believe that any time we create haiku, we define haiku.
Jacob Kobina Ayiah Mensah[(¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿¿) (also known in the Turtle Mountains, North Dakota, as Sitting Mountain)], a self-made Ojibwa, Basque, Catalan, Spanish, gypsy, a Black African tribe and Greek descent and a multilingual poet, multidisciplinary artist, and algebraist, works in mixed media. His most recent poetry chapbook is Kind Haven (The Operating System, 2020) and a full-length poetry collection in Spanish, agua y color, is forthcoming from Valparaiso Poetry Press. His poetry, songs, prose, art and hybrid works have appeared in numerous journals, including JMWW, Constellations, New Note Poetry, Chapter House Journal, Red Ogre Review, Newfound, The New Southern Fugitives, Inverted Syntax, The Elevation, Moon Shadow Sanctuary, Passenger Journal, Twisted Vine Literary Arts Journal, Millennial Pulp Literary Magazine, Trampoline, 1-70 Review, Beautiful Cadaver Project Pittsburgh, The Meadow, Beyond Words Literary Magazine, Rigorous, The Decadent Review, FOLK Magazine, Wards Lit Magazine, Cadinal Sins, zines + things, Juked, Juke Joint Magazine, The William and Mary Review, Helen Literary Magazine, In Parentheses, Genre: Urban Arts, Roanoke Review, filling Station, Hawk & Whippoorwill, The Indianapolis Review, The Sandy River Review, Blackbox Manifold, Cordite Poetry Review, Amethys Review, Rogue Agent, Whimperbang, Emerys Journal, Night Music Journal, Cantos: A literary and Arts Journal, Abstract: Contemporary Expressions, Thirty West Publishing House, Aaduna, Terror House Magazine, Ygdrasil: A Journal of the Poetic Arts, Castabout Art & Literature, Horseshoes & Hand Grenades, Hooligan Magazine, Unlikely Stories Mark V, Otoliths, Oddball Magazine, UTSANGA, Pithead Chapel, Wingless Dreamer, Cathexis Northwest Press, University of North Dakota, Meat for Tea, Fireflies' Light: A Magazine of Short Poems and others. His works in abstract mathematics include Arthur Algebras, Haiku Algebra, c-Algebra, ¿-Functions, Nortan Group, and Epic Ring. He lives in the southern part of Ghana, in Spain, and the Turtle Mountains, North Dakota.
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