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Former Secretary of State for Education Kenneth Baker claims that secondary education has become a five-year programme with a single, narrow aim: to prepare pupils for high-stakes GCSE exams at 16. From 2015, all young people will be legally required to stay in education or training until they are 18. Kenneth Baker sees this as a historic opportunity to re-think the aims and structure of English education. He argues that the National Curriculum should extend only to the age of 14 and that there should be four distinct pathways from 14-18 to take account of young people's emerging interests talents and ambitions: Liberal Arts; Technical; Sports and Creative Arts; and Career. All pathways will provide a broad education, but each will have a distinctive character matched to the talents and ambitions of individual students.In 14-18 - A New Vision for Secondary Education, Kenneth Baker builds a compelling case for reform, with contributions from a range of educationalists who draw on the history of English education, practice elsewhere in the world, and their experiences.An essential read for anyone interested in the future of secondary education.
Together with a handful of educationalists and teachers, Baker has written a new book - 14-18: A New Vision for Secondary Education - which proposes a radical transformation of secondary-school education. He would like primary school to end at nine, followed by middle school to the age of 14, at which point the national curriculum would end and every pupil would choose one of four "pathways". This is not a sentence I would have imagined myself writing back at the height of Thatcherism, when Baker was most lefty teenagers' idea of the devil, but I think he has probably come up with an excellent plan...Perhaps even more importantly, his proposals attempt to remedy the impending anomaly of our preoccupation with exams at 16, which will make very little sense once the school-leaving age goes up to 18 in 2015...Given the new leaving age of 18, Baker's ideas make a great deal of sense. Decca Aitkenhead The Guardian 20130121