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150% Better Auditions teaches you the secrets of better acting and auditioning by using the power of mindfulness training to improve your confidence, concentration, and booking ratio. Learn how to: * Reduce Nervousness * Stay in the "present moment" * Be calm under pressure * Make better creative choices * Get hired more often Master actor and theorist, Kevin Page, has been auditioning professionally for more than 30 years and now he shares his secrets of "mindfulness fitness" training with you. More than just a "how-to" manual, 150% Better Auditions will improve what you are already good at and take you to the next level of success!…mehr

Produktbeschreibung
150% Better Auditions teaches you the secrets of better acting and auditioning by using the power of mindfulness training to improve your confidence, concentration, and booking ratio. Learn how to: * Reduce Nervousness * Stay in the "present moment" * Be calm under pressure * Make better creative choices * Get hired more often Master actor and theorist, Kevin Page, has been auditioning professionally for more than 30 years and now he shares his secrets of "mindfulness fitness" training with you. More than just a "how-to" manual, 150% Better Auditions will improve what you are already good at and take you to the next level of success!
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Autorenporträt
Kevin Page is an author, actor, and holds a Master's degree in psychology. He writes about mindfulness meditation and other healthy mind/body training techniques. On screen he was blown away by a robot (ED-209) in the classic movie, RoboCop (1987), offered Jerry his "show about nothing" on SEINFELD, and played the character that ultimately shot and killed "JR Ewing" on the 2012 re-boot of DALLAS. He has appeared in over 100 commercials, voice overs, stage plays, and industrial films throughout his 35-year acting career. His other books include, Advanced Consciousness Training (A.C.T.) for Actors (Routledge, 2018), that teaches both stage and screen actors how to use various meditative arts to improve their abilities as performers; and Psychology for Actors (Routledge, 2018), applying 20th century post-Stanislavsky psychological theories and techniques to the actor's craft.