John Burder

16mm Film Cutting

• Broschiertes Buch

Produktbeschreibung

What ends up on the film cutting room floor, and why? This work shows you how to achieve professional results. It describes the breaking down rushes and making a simple join, identifying shots, first assembly, avoiding errors, preparing special effects, instructing the labs, compiling sound tracks and other stages in producing the final film.

Produktdetails

• Verlag: Taylor & Francis Ltd
• Seitenzahl: 164
• Erscheinungstermin: 20. Januar 1976
• Englisch
• Abmessung: 215mm x 138mm x 11mm
• Gewicht: 230g
• ISBN-13: 9780240508573
• ISBN-10: 0240508572
• Artikelnr.: 22060601

Autorenporträt

John Burder

Inhaltsangabe

The Job of Cutting
Chapter 1 Cutting with Safety and Economy
Chapter 2 Cutting Films Shot with Sound
Chapter 3 Cutting Films Shot Without Sound
Chapter 4 Motorised Editing Machines
Chapter 5 Upright and Table Editing Machines
Chapter 6 Multi-track Equipment
Chapter 7 Synchronisers: Types and Uses
Chapter 8 Synchronisers: Accessories
Chapter 9 Joining Film: Temporary Splices
Chapter 10 Joining Film: Permanent Splices
Chapter 11 Animated Viewers
Chapter 12 Sundry Cutting Room Equipment
Chapter 13 Cutting Room Accessories
Chapter 14 Planning Picture sequences
Chapter 15 Identifying and Printing Takes
Chapter 16 Identifying Sound Takes
Chapter 17 The Film in the Camera
Chapter 18 Copying the Original
Chapter 19 Cutting Copies
Chapter 20 Edge Numbers and Film Footage
Chapter 21 Locating Scenes and Takes
Chapter 22 Breaking Down Rushes
Chapter 23 Joining with Tape
Chapter 24 Joining with Cement
Chapter 25 Film Leader
Chapter 26 Making a First Assembly
Chapter 27 Continuity Cutting
Chapter 28 Cutting a Simple Sequence
Chapter 29 Avoiding Continuity Errors
Chapter 30 Optical Effects: Dissolves
Chapter 31 Single Roll Optical Effects
Chapter 32 Ordering Single Roll Optical Dupes
Chapter 33 Optical Effects: Fades and Freezes
Chapter 34 Extending and Fine Cutting the Action
Chapter 35 Changing and Patching Cutting Copies
Chapter 36 Augmenting Original Film
Chapter 37 Negative Cutting: Principle
Chapter 38 Negative Cutting: Checkerboard
Chapter 39 Negative Cutting: Where and When
Chapter 40 Negative Cutting: Optical Effects
Chapter 41 Negative Cutting: A/B Rolls, Cueing
Chapter 42 Negative Cutting: Completing
Chapter 43 Superimposed Titles
Chapter 44 Ordering Superimposed Titles
Chapter 45 Synchronised Sound: Double System
Chapter 46 Synchronised Sound: Single System
Chapter 47 Cutting with Wild Sound
Chapter 48 Planning a Complete Soundtrack
Chapter 49 Preparing Sound Effects Tracks
Chapter 50 Preparing Background Sounds
Chapter 51 Sync Points
Chapter 52 Matching Sound and Picture
Chapter 53 Cutting Sounds and Avoiding Clicks
Chapter 54 Background Sound Loops
Chapter 55 Synchronised Sound and Picture
Chapter 56 Finding and Maintaining Synchronism
Chapter 57 Narration: Pre-Recording, Matching
Chapter 58 Narration: Recording During a Dub
Chapter 59 Dubbing: Procedure
Chapter 60 Dubbing: Practice
Chapter 61 Combined Prints: Magnetic or Optical
Chapter 62 Combined Prints: Optical Sound
Chapter 63 Preparing the First Show Copy
Chapter 64 Prints Out of Sync
Chapter 65 Picture Faults
Chapter 66 Faults Difficult to Remedy
Chapter 67 Safeguarding Original: Dupe Masters
Chapter 68 The Original: Neg and Pos Dupes
Chapter 69 Moving from Gauge to Gauge
Chapter 70 Recording Film on Video
Chapter 72 Electronic Film Conforming