This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.
This book takes its cue from the annus miabilis for French culture to outline French modernism and to situate it on the map of global modernism. Essays on specific works in various media present the first narrative of French modernism as a critical category and establish its position in the thriving field of modernist studies.
Effie Rentzou is an Associate Professor of French at Princeton University André Benhaïm is an Associate Professor of French at Princeton University
Inhaltsangabe
Introduction Effie Rentzou Part I: 1913, French modernism and historical time Introduction 1 Prehistoric Proust André Benhaïm 2 Fantômas and the shudder of history Jonathan P. Eburne 3 Inventing, collecting and classifying in the margins: the work of Eugène Atget, a shift in photographic representation Guillaume Le Gall 4 The anxious centre Effie Rentzou 5 1913, the year of the arrière garde? William Marx Part II: 1913, 'French' and 'modernism' in question Introduction 6 A modernism that has not yet been: untimely Segalen Christopher Bush 7 On situating French modernism: the strange location(s) of Le Grand Meaulnes David R. Ellison 8 Les Caves du Vatican and the real novel Gerald Prince 9 1913, between peace and war: Chagall's Homage to Apollinaire and the European avant garde Annette Becker Part III: 1913, French modernism and intermediality Introduction 10 Camille Flammarion's flash forward: the cinematicization of French thought and aesthetics (1867 1913) Christophe Wall Romana 11 How 'simultaneous' is it? Revisiting the Delaunay Cendrars collaboration on La Prose du Transsibérien Marjorie Perloff 12 Mallarmé's modernity in 1913 Virginie A. Duzer 13 Poetry displaced: Nijinsky, Delaunay, Duchamp Mary Shaw 14 Behind Picasso's pins Lisa Florman Part IV: Coda: on modernism, beyond France and 1913 15 1913, the future in the past Jean Michel Rabaté 16 The paradox and promise of the 'new' French Modernist Studies Susan Stanford Friedman
Introduction Effie Rentzou Part I: 1913, French modernism and historical time Introduction 1 Prehistoric Proust André Benhaïm 2 Fantômas and the shudder of history Jonathan P. Eburne 3 Inventing, collecting and classifying in the margins: the work of Eugène Atget, a shift in photographic representation Guillaume Le Gall 4 The anxious centre Effie Rentzou 5 1913, the year of the arrière garde? William Marx Part II: 1913, 'French' and 'modernism' in question Introduction 6 A modernism that has not yet been: untimely Segalen Christopher Bush 7 On situating French modernism: the strange location(s) of Le Grand Meaulnes David R. Ellison 8 Les Caves du Vatican and the real novel Gerald Prince 9 1913, between peace and war: Chagall's Homage to Apollinaire and the European avant garde Annette Becker Part III: 1913, French modernism and intermediality Introduction 10 Camille Flammarion's flash forward: the cinematicization of French thought and aesthetics (1867 1913) Christophe Wall Romana 11 How 'simultaneous' is it? Revisiting the Delaunay Cendrars collaboration on La Prose du Transsibérien Marjorie Perloff 12 Mallarmé's modernity in 1913 Virginie A. Duzer 13 Poetry displaced: Nijinsky, Delaunay, Duchamp Mary Shaw 14 Behind Picasso's pins Lisa Florman Part IV: Coda: on modernism, beyond France and 1913 15 1913, the future in the past Jean Michel Rabaté 16 The paradox and promise of the 'new' French Modernist Studies Susan Stanford Friedman
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