1914 - French, John
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The commander of the BEF's view of the Great War This book, written by Sir John French, concerns his period of command during the first period of the Great War. Predictably, as in many commander's memoirs it displays much partiality as to his own actions and those of others. This is particularly noteworthy since the consensus view of the history of the time does not judge-with much justification-French kindly. At the outbreak of the war French was the obvious choice for command and his views accorded with the government establishment if not with more forward thinking military men under his…mehr

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Produktbeschreibung
The commander of the BEF's view of the Great War This book, written by Sir John French, concerns his period of command during the first period of the Great War. Predictably, as in many commander's memoirs it displays much partiality as to his own actions and those of others. This is particularly noteworthy since the consensus view of the history of the time does not judge-with much justification-French kindly. At the outbreak of the war French was the obvious choice for command and his views accorded with the government establishment if not with more forward thinking military men under his command. Fast moving German offensives revealed French's military strategy with its faith in inflexible defensive strongpoints to be hopelessly out of date. Events overtook him and were it not for Smith-Dorrien's aggressive action during the First Battle of Mons-for which seemingly French never forgave him-the BEF could easily have been overwhelmed. French became increasing out of touch and indecisive and was replaced in 1915 by Haig. This book is far from a balanced history, but is an important account of how a nineteenth century soldier saw his twentieth century war. It also contains much factual information on the dispositions of troops and actions in what was a fluid stage of the conflict.
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Autorenporträt
John French's first job was as the house manager at the Royal Court Theatre in London. There he worked with Lindsay Anderson, Anthony Page and Bill Gaskill and actors like Paul Scofield, Rachel Roberts, Alan Bates, Diana Dors and Paul Eddington. A job at a theatrical agency followed. The agency looked after, among others, Sean Connery, Alan Bates, Sheila Hancock, Malcolm McDowell, Robert Shaw and Michael Crawford as well as screenwriters and directors. After three years John founded his own agency and went on to represent Robert, Julie Walters, Pete Postlethwaite, Zena Walker, Stephanie Beacham and film director Mike Newell. His own writing includes plays performed at the Soho Theatre, the King's Head, the Battersea Arts Centre and many fringe venues. He has subsequently written over thirty novels (for Little Brown, Headline and Virgin) under various pseudonyms which have sold well over a million copies. In more recent years he has worked as script editor and writer on the CSI: Crime Scene Investigation TV series.