At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orchestrated . The first, "Der nächliche Zug" is a march-like work not often performed while the second, entitled "Der Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No.1". This popular work was first heard for orchestra on March 3, 1861 with the composer conducting the Weimar Hofkapelle. The score reproduced here was originally issued by Breitkopf & Härtel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt: Musikalische…mehr
At least one of the two works inspired by Nikolaus Lenau's poem on the familiar Faust legend may have been originally composed for piano and later orchestrated . The first, "Der nächliche Zug" is a march-like work not often performed while the second, entitled "Der Tanz in der Dorfschenke" is better known as the "Mephisto Waltz No.1". This popular work was first heard for orchestra on March 3, 1861 with the composer conducting the Weimar Hofkapelle. The score reproduced here was originally issued by Breitkopf & Härtel of Leipzig in 1913 as part of the tenth volume of "Franz Liszt: Musikalische Werke", edited principally by Berthold Kellermann. In contrast so many of the on-demand scores now available this one comes with all the pages with each image thoroughly checked to make sure it is readable, then beautifully printed on quality stock with an attractive glossy cover. Also included is an informative introduction by Liszt scholar Soren Afshar (Funper), a major contributor to the vast collection of Liszt pieces on IMSLP. The large conductor's score and orchestral parts matching this critical edition are also available from Serenissima Music.
Franz Liszt (22 October 1811 - 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor, and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.Liszt first gained renown during the early nineteenth century for his virtuoso skill as a pianist.[4] Regarded as one of the greatest pianists of all time, he toured Europe during the 1830s and 1840s, often playing for charity.[5] In these years, Liszt developed a reputation for his powerful performances as well as his physical attractiveness. In what was dubbed "Lisztomania", he rose to a degree of stardom and popularity among the public not experienced by the virtuosos who preceded him-whereas earlier performers mostly served the upper class, Liszt attracted a more general audience. During this period and into his later life, Liszt was a friend, musical promoter and benefactor to many composers of his time, including Frédéric Chopin, Charles-Valentin Alkan, César Franck, Richard Wagner, Hector Berlioz, Robert Schumann, Clara Schumann, Camille Saint-Saëns, Edvard Grieg, Ole Bull, Joachim Raff, Mikhail Glinka, and Alexander Borodin.
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