Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent - the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This…mehr
Directors have long been the main figures on Eastern European stages. During the last three decades some of the most outstanding among them have risen to international stardom thanks to their ground-breaking productions that speak to audiences far beyond local borders. Not by chance, a considerable number of these directors have won the second-biggest theatre award on the continent - the European Prize for (New) Theatrical Realities. It would not be an exaggeration to say that the top directors of the region have been pushing contemporary theatre as a whole ahead into new territories. This book offers informative and in-depth portraits of twenty of these directors, written by leading critics, scholars, and researchers, who shed light on the directors' signature styles with examples of their emblematic productions and outline the reasons for their impact. In addition, in two chapters the selected directors themselves discuss their artistic family trees as well as the main stakestheatre faces today. The book will be of interest to theatre scholars, students, and anybody engaged with theatre on a global scale.
Kalina Stefanova, a Full Professor at the NATFA, Bulgaria, is author/editor of 14 books on theatre and two fiction titles. She has lectured world-wide and is a Visiting Distinguished Professor of the Arts School, Wuhan University, China. She has served as Vice President and Director Symposia of the International Association of Theatre Critics. Marvin Carlson, Sidney E. Cohn Distinguished Professor at the Graduate Center of the City University of New York, USA, is the author of 25 books and hundreds of essays on theatre and performance. He has received many major national and international awards and an honorary professorship from the University of Athens, Greece.
Inhaltsangabe
1. Grzegorz Bral: Cosmopolitan Experiments in Theatre.- 2. My Name Is Gianina Carbunariu: I'm a Lioness.- 3. Oliver Frljic or the Theatre of Provocation.- 4. Alvis Hermanis: "To Be Everything and Nothing at All".- 5. Grzegorz Jarzyna's Theatre of Post-Dramatic Joy and Recognition.- 6. Jan Klata: The Social-Identity DJ of the Polish Theatre.- 7. "What Is Hecuba to Him or He to Hecuba?" or the Theatre of Oskaras Korsunovas.- 8. Jernej Lorenci: "People Are the Key".- 9. Krystian Lupa: The Maestro They Criticise Love.- 10. Dark Visions of Jan Mikulásek.- 11. Alexander Morfov, the Game-Changer and His Collective Theatre.- 12. Eimuntas Nekrosius: The Poetics of Paradise and Hell.- 13. Béla Pintér and His Postmodern National Theatre.- 14. Silviu Purcarete: The Master of Rich Theatre.- 15. From the Theatron to the Agora: Changing Concepts of Theatricality in Schilling Árpád's Oeuvre.- 16. Andrei erban: The Search for 'New Forms'.- 17. Beauty by Instinct or Daniel Spinar's Theatre of Style.- 18. Wlodzimierz Staniewski: (Re-)Constructing Traditions and Archetypes.- 19. Rimas Tuminas: A Poetic View of Theatre.- 20. Krzysztof Warlikowski: A Beautiful Shock Therapy.- 21. An Attempt at Drawing an Artistic Family Tree.- 22. The Stakes Today.
1. Grzegorz Bral: Cosmopolitan Experiments in Theatre.- 2. My Name Is Gianina Cărbunariu: I’m a Lioness.- 3. Oliver Frljić or the Theatre of Provocation.- 4. Alvis Hermanis: “To Be Everything and Nothing at All”.- 5. Grzegorz Jarzyna’s Theatre of Post-Dramatic Joy and Recognition.- 6. Jan Klata: The Social-Identity DJ of the Polish Theatre.- 7. “What Is Hecuba to Him or He to Hecuba?” or the Theatre of Oskaras Koršunovas.- 8. Jernej Lorenci: “People Are the Key”.- 9. Krystian Lupa: The Maestro They Criticise Love.- 10. Dark Visions of Jan Mikulášek.- 11. Alexander Morfov, the Game-Changer and His Collective Theatre.- 12. Eimuntas Nekrošius: The Poetics of Paradise and Hell.- 13. Béla Pintér and His Postmodern National Theatre.- 14. Silviu Purcărete: The Master of Rich Theatre.- 15. From the Theatron to the Agora: Changing Concepts of Theatricality in Schilling Árpád’s Oeuvre.- 16. Andrei Șerban: The Search for ‘New Forms’.- 17. Beauty by Instinct or Daniel Špinar’s Theatre of Style.- 18. Włodzimierz Staniewski: (Re-)Constructing Traditions and Archetypes.- 19. Rimas Tuminas: A Poetic View of Theatre.- 20. Krzysztof Warlikowski: A Beautiful Shock Therapy.- 21. An Attempt at Drawing an Artistic Family Tree.- 22. The Stakes Today.
1. Grzegorz Bral: Cosmopolitan Experiments in Theatre.- 2. My Name Is Gianina Carbunariu: I'm a Lioness.- 3. Oliver Frljic or the Theatre of Provocation.- 4. Alvis Hermanis: "To Be Everything and Nothing at All".- 5. Grzegorz Jarzyna's Theatre of Post-Dramatic Joy and Recognition.- 6. Jan Klata: The Social-Identity DJ of the Polish Theatre.- 7. "What Is Hecuba to Him or He to Hecuba?" or the Theatre of Oskaras Korsunovas.- 8. Jernej Lorenci: "People Are the Key".- 9. Krystian Lupa: The Maestro They Criticise Love.- 10. Dark Visions of Jan Mikulásek.- 11. Alexander Morfov, the Game-Changer and His Collective Theatre.- 12. Eimuntas Nekrosius: The Poetics of Paradise and Hell.- 13. Béla Pintér and His Postmodern National Theatre.- 14. Silviu Purcarete: The Master of Rich Theatre.- 15. From the Theatron to the Agora: Changing Concepts of Theatricality in Schilling Árpád's Oeuvre.- 16. Andrei erban: The Search for 'New Forms'.- 17. Beauty by Instinct or Daniel Spinar's Theatre of Style.- 18. Wlodzimierz Staniewski: (Re-)Constructing Traditions and Archetypes.- 19. Rimas Tuminas: A Poetic View of Theatre.- 20. Krzysztof Warlikowski: A Beautiful Shock Therapy.- 21. An Attempt at Drawing an Artistic Family Tree.- 22. The Stakes Today.
1. Grzegorz Bral: Cosmopolitan Experiments in Theatre.- 2. My Name Is Gianina Cărbunariu: I’m a Lioness.- 3. Oliver Frljić or the Theatre of Provocation.- 4. Alvis Hermanis: “To Be Everything and Nothing at All”.- 5. Grzegorz Jarzyna’s Theatre of Post-Dramatic Joy and Recognition.- 6. Jan Klata: The Social-Identity DJ of the Polish Theatre.- 7. “What Is Hecuba to Him or He to Hecuba?” or the Theatre of Oskaras Koršunovas.- 8. Jernej Lorenci: “People Are the Key”.- 9. Krystian Lupa: The Maestro They Criticise Love.- 10. Dark Visions of Jan Mikulášek.- 11. Alexander Morfov, the Game-Changer and His Collective Theatre.- 12. Eimuntas Nekrošius: The Poetics of Paradise and Hell.- 13. Béla Pintér and His Postmodern National Theatre.- 14. Silviu Purcărete: The Master of Rich Theatre.- 15. From the Theatron to the Agora: Changing Concepts of Theatricality in Schilling Árpád’s Oeuvre.- 16. Andrei Șerban: The Search for ‘New Forms’.- 17. Beauty by Instinct or Daniel Špinar’s Theatre of Style.- 18. Włodzimierz Staniewski: (Re-)Constructing Traditions and Archetypes.- 19. Rimas Tuminas: A Poetic View of Theatre.- 20. Krzysztof Warlikowski: A Beautiful Shock Therapy.- 21. An Attempt at Drawing an Artistic Family Tree.- 22. The Stakes Today.
Rezensionen
"20 Ground-Breaking Directors of Eastern Europe ... delivers exactly what it promises in its title ... . the volume is undoubtedly a unique and thorough undertaking, especially when considering the small number of works that attempt to provide an encyclopaedic overview of contemporary world theatre. ... an important and timely volume that helps to identify and recognise the directorial signatures that have shaped and continue to shape the theatre culture of the Eastern European region in recent decades." (TamásJászay, Theatron, Vol. 16 (4), 2022)
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