"Kristen Case and Alexandra Manglis have put together something beautiful and deep about how things go together in a place that sells, but no longer prides, itself on having figured out how things go together better than any other place, at any time. This anthology tells the truth and exposes that lie."--Fred Moten.oten.
"Kristen Case and Alexandra Manglis have put together something beautiful and deep about how things go together in a place that sells, but no longer prides, itself on having figured out how things go together better than any other place, at any time. This anthology tells the truth and exposes that lie."--Fred Moten.oten.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Alexandra Manglis is an editor, writer of short fiction and creative non-fiction, and co-founder of the experimental poetry magazine Wave Composition. Her work has appeared in The Millions, the Times Literary Supplement, the Los Angeles Review of Books, and Strange Horizons. She is an enthusiastic alumna of the Clarion West Writers Workshop and holds a D.Phil. in English from the University of Oxford. She lives in Nicosia, Cyprus. Kristen Case is the author of the critical study American Pragmatism and Poetic Practice: Crosscurrents from Emerson to Susan Howe. Her first poetry collection, Little Arias, won the Maine Literary Award for Poetry in 2016, and her second collection, Principles of Economics, won the 2018 Gatewood Prize. She is co-editor of Thoreau at 200: Essays and Reassessments and director of Thoreau's Kalendar: A Digital Archive of the Phenological Manuscripts of Henry David Thoreau. She teaches at the University of Maine at Farmington, where she is director of the New Commons Project, a public humanities initiative sponsored by the Mellon Foundation. She lives in Temple, Maine.
Inhaltsangabe
Contents Foreword, Approximity (in the life, her attempt to bring the life of her mother close Fred Moten Introduction, Unsettling Proximities Kristen Case and Alexandra Manglis Thinking as Burial Practice: Exhuming a Poetic Epistemology in Thoreau, Dickinson, and Emerson Dan Beachy-Quick Feeling the Riot: Fugitivity, Lyric, and Enduring Failure José Felipe Alvergue Essay in Fragments, a Pile of Limbs: Walt Whitman's Body in the Book Stefania Heim Citation in the Wake of Melville Joan Naviyuk Kane Touching the Horror: Poe, Race, and Gun Violence Karen Weiser Homage to Bayard Taylor Benjamin Friedlander Revising The Waste Land: Black Antipastoral & The End of the World Joshua Bennett Henry Ossawa Tanner, 1859-1937: Night Over Night Cole Swensen Nights and Lights in Nineteenth Century American Poetics Cecily Parks The Earth Is Full of Men Brian Teare Making Black Cake in Combustible Spaces M. NourbeSe Philip "The Tinge Awakes": Reading Whitman and Others in Trouble Leila Wilson Acknowledgments Works Cited Illustration Credits Editors Contributors
Contents Foreword, Approximity (in the life, her attempt to bring the life of her mother close Fred Moten Introduction, Unsettling Proximities Kristen Case and Alexandra Manglis Thinking as Burial Practice: Exhuming a Poetic Epistemology in Thoreau, Dickinson, and Emerson Dan Beachy-Quick Feeling the Riot: Fugitivity, Lyric, and Enduring Failure José Felipe Alvergue Essay in Fragments, a Pile of Limbs: Walt Whitman's Body in the Book Stefania Heim Citation in the Wake of Melville Joan Naviyuk Kane Touching the Horror: Poe, Race, and Gun Violence Karen Weiser Homage to Bayard Taylor Benjamin Friedlander Revising The Waste Land: Black Antipastoral & The End of the World Joshua Bennett Henry Ossawa Tanner, 1859-1937: Night Over Night Cole Swensen Nights and Lights in Nineteenth Century American Poetics Cecily Parks The Earth Is Full of Men Brian Teare Making Black Cake in Combustible Spaces M. NourbeSe Philip "The Tinge Awakes": Reading Whitman and Others in Trouble Leila Wilson Acknowledgments Works Cited Illustration Credits Editors Contributors
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