This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
This collection presents a contemporary evaluation of the changing structures of music delivery and enjoyment. Exploring the confluence of music consumption, burgeoning technology, and contemporary culture; this volume focuses on issues of musical communities and the politics of media.
Richard Purcell is Assistant Professor at Carnegie Mellon University, USA. He is author of Race, Ralph Ellison and American Cold War Intellectual Culture (Palgrave 2013). Richard Randall is Cooper-Siegel Associate Professor of Music at Carnegie Mellon University, USA. His recent publications include Similarity Measures for Tonal Models (2006) and Lerdahl's Tonal Pitch Space Model and Associated Metric Spaces.
Inhaltsangabe
Introduction: Listening in on the 21st Century; Richard Randall and Richard Purcell 1. The Scream and Other Tales: Narrating Detroit Radio History with the Vertical File; Carleton Gholz 2. On Tape: Cassette Culture in Edinburgh and Glasgow Now; Kieran Curran 3. Radio in Transit: Satellite Technology, Cars, and the Evolution of Musical Genre; Jeffrey Roessner 4. The Internet and the Death of Jazz: Race, Improvisation, and the Crisis of Community; Margret Grebowicz 5. A Brief Consideration of the Hip-Hop Biopic; Richard Purcell 6. Love Streams; Damon Krukowski 7. A Case for Musical Privacy; Richard Randall 8. Digital Music and Public Goods; Graham Hubbs 9. The Preservation Paradox; Jonathan Sterne 10. Headphones are the New Walls: Music in the Workplace in the Digital Age; Kathy Newman 11. Researching the Mobile Phone Ringtone: Towards and Beyond The Ringtone Dialectic; Sumanth Gopinath
Introduction: Listening in on the 21st Century; Richard Randall and Richard Purcell 1. The Scream and Other Tales: Narrating Detroit Radio History with the Vertical File; Carleton Gholz 2. On Tape: Cassette Culture in Edinburgh and Glasgow Now; Kieran Curran 3. Radio in Transit: Satellite Technology, Cars, and the Evolution of Musical Genre; Jeffrey Roessner 4. The Internet and the Death of Jazz: Race, Improvisation, and the Crisis of Community; Margret Grebowicz 5. A Brief Consideration of the Hip-Hop Biopic; Richard Purcell 6. Love Streams; Damon Krukowski 7. A Case for Musical Privacy; Richard Randall 8. Digital Music and Public Goods; Graham Hubbs 9. The Preservation Paradox; Jonathan Sterne 10. Headphones are the New Walls: Music in the Workplace in the Digital Age; Kathy Newman 11. Researching the Mobile Phone Ringtone: Towards and Beyond The Ringtone Dialectic; Sumanth Gopinath
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