This study of Sino-Tibetan northern Sichuan provides a framework for understanding changes in western China's landscape and among its indigenous populations from late imperial to contemporary times. It highlights the significant role that Tibetans first had in shaping local institutions, markets, and natural landscapes, and then how the "modern" Chinese state later set its own indelible stamp on local people and environments. This is a story of the conflicts and contradictions that rise out of manipulation of peoples, ecologies, and identities.
This study of Sino-Tibetan northern Sichuan provides a framework for understanding changes in western China's landscape and among its indigenous populations from late imperial to contemporary times. It highlights the significant role that Tibetans first had in shaping local institutions, markets, and natural landscapes, and then how the "modern" Chinese state later set its own indelible stamp on local people and environments. This is a story of the conflicts and contradictions that rise out of manipulation of peoples, ecologies, and identities.
Jack Patrick Hayes is lecturer in the Departments of History and Asian Studies at Kwantlen Polytechnic University and research associate at the University of British Columbia.
Inhaltsangabe
Introduction Chapter 1: Songpan: People Environments and Histories Chapter 2: Pastoral Pursuits Mining and Poppies: Resources Authority and Resistance Under Local and Warlord Regimes Chapter 3: Inscribing the State on the Landscape: State Models for Tibetans Herds and Forests in Songpan Chapter 4: Landscapes and Civilization: Tourism Ecology and Ethnicity in Modern Songpan Chapter 5: Conclusion
Introduction Chapter 1: Songpan: People Environments and Histories Chapter 2: Pastoral Pursuits Mining and Poppies: Resources Authority and Resistance Under Local and Warlord Regimes Chapter 3: Inscribing the State on the Landscape: State Models for Tibetans Herds and Forests in Songpan Chapter 4: Landscapes and Civilization: Tourism Ecology and Ethnicity in Modern Songpan Chapter 5: Conclusion
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