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Though Horace's ironic self-presentation must not be understood too literally, the editors reject the modern tendency to treat the author as unknowable. Although the text of the Odes is not printed separately, the headings to the notes provide a continuous text. The editors put forward a number of conjectures, most of them necessarily tentative, and in the few cases where they disagree, both opinions are summarized.
This Commentary takes critical account of recent writing on the Odes. It deals with detailed questions of interpretation, and shows how Horace combined the tact of a court-poet
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Produktbeschreibung
Though Horace's ironic self-presentation must not be understood too literally, the editors reject the modern tendency to treat the author as unknowable. Although the text of the Odes is not printed separately, the headings to the notes provide a continuous text. The editors put forward a number of conjectures, most of them necessarily tentative, and in the few cases where they disagree, both opinions are summarized.
This Commentary takes critical account of recent writing on the Odes. It deals with detailed questions of interpretation, and shows how Horace combined the tact of a court-poet with a humane individualism, and how he wrote within a literary tradition without losing a highly personal voice.
Autorenporträt
R. G. M. Nisbet was formerly Corpus Christi Professor of Latin Language and Literature, University of Oxford. Niall Rudd was formerly Professor of Latin at Bristol University.