A Companion to Federico Fellini
Herausgeber: Burke, Frank; Gubareva, Marita; Waller, Marguerite
A Companion to Federico Fellini
Herausgeber: Burke, Frank; Gubareva, Marita; Waller, Marguerite
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Produktdetails
- Verlag: Wiley
- Seitenzahl: 576
- Erscheinungstermin: 11. Mai 2020
- Englisch
- Abmessung: 251mm x 176mm x 35mm
- Gewicht: 1236g
- ISBN-13: 9781119431534
- ISBN-10: 1119431530
- Artikelnr.: 57826374
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Frank Burke is Professor Emeritus at Queen's University, Canada. He is editor of the Wiley Blackwell Companion to Italian Cinema and author of several books on Federico Fellini. Marguerite Waller is Professor Emerita of Comparative Literature and Gender and Sexuality Studies at the University of California, Riverside. She has co-edited volumes in both feminist studies and cinema studies, including Federico Fellini: Contemporary Perspectives and Postcolonial Cinema Studies. Marita Gubareva is a freelance researcher and journalist based in Rome. Her research interests include seventeenth-century and late nineteenth-century aesthetics and Italian cinema.
Notes on Contributors xi Editors' Notes xxi Foreword xxiii Preface xxix Acknowledgments xxxv Glossary xxxvii Part I Fellini and Friends 1 1 Introduction 3 Marguerite Waller and Frank Burke 2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica 13 Frank Burke (with Marita Gubareva) 3 Fellini: Backstory and a Dream 27 Goffredo Fofi 4 A Certain Freedom in Filmmaking 31 Lina Wertmüller 5 A Bit of Everything Happened: My Experience of La dolce vita 35 Valeria Ciangottini 6 Fellini a Casa Nostra 37 Carlo and Luca Verdone Part II Beginnings, Inspirations, Intertexts 41 7 Neorealism Masked: Fellini's Films of the 1950s 43 Stefania Parigi 8 Fellini's Graphic Heritage: Drawings, Comics, Animation, and Beyond 59 Marco Bellano 9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and Il libro dei sogni 79 Erika Suderburg 10 Fellini and Esotericism: An Ambiguous Adherence 95 Federico Pacchioni 11 Circo Fellini 109 Adriano Aprà 12 Fellini's Sense of Place 117 John Agnew 13 "Il viaggio di G. Mastorna": Fellini Entre Deux Morts 129 Alessandro Carrera 14 An "Incapacity to Affirm": Fellini's Aesthetics and the Decadent Movement 141 Marita Gubareva 15 Fellini and Fashion, a Twöway Street: An Interview with Gianluca Lo Vetro 153 The Editors Part III Collaborations 163 16 Ennio, Tullio, and the Others: Fellini and His Screenwriters 165 Giaime Alonge 17 Fellini and His Producers: Strange Bedfellows 177 Barbara Corsi and Marina Nicoli 18 Masina and Mastroianni: Reconfiguring C. G. Jung's Animus and Anima 191 Victoria Surliuga Part IV Aesthetics and Film Language 205 19 "Io non me ne intendo": Fellini's Relationship to Film Language 207 Marco Vanelli 20 Fellini's Visual Style(s): A Phenomenological Account 223 Hava Aldouby 21 The Liquid Hyperfilm: Fellini, Deleuze, and the Sea as Forza Generatrice 237 Amy Hough
Dugdale 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251 Antonella Sisto 23 Fellini and the Aesthetics of Intensity 267 Paolo Bertetto 24 Egli Danza: Fellini's Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279 Vito Zagarrio Part V Contemporary Dialogues 293 25 Remote Control Politics: Federico Fellini and the Politics of Parody 295 Kriss RavettöBiagioli 26 "Il Maestro" Dismantles the Master's House: Fellini's Undoing of Gender and Sexuality 311 Marguerite Waller 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331 Shelleen Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past Part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy 363 Nicola Bassano 30 Fellini's Reception in France 377 Albert Sbragia 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: AnglöAmerican Film and Television Appropriations 403 Frank Burke 33 Il ritorno in patria: From Rimini to Winnipeg by Way of the Alps 419 Russell J. A. Kilbourn 34 Fellini and South Asian Cinemas 425 Esha Niyogi De 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me 433 Amara Lakhous 37 Fellini and Turkey: Influence and Image 435 Cihan Gündödu 38 Fellini in Japan 439 Earl Jackson 39 Fellini in Russia 445 Naum Kleiman 40 Fellini in the Cuban Context 451 Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) 457 Dom Holdaway 42 La strada (1954) 461 Giuseppe Natale 43 Le notti di Cabiria (Nights of Cabiria)-Cabiria in the Classroom: Teaching Fellini in the Twenty
first Century 465 Áine O'Healy 44 La dolce vita (1960) 471 Mark Nicholls 45 Oh, My 8
475 Caroline Thompson 46 Giulietta degli spiriti ( Juliet of the Spirits): A Twenty
First Century Users' Guide 479 Erika Suderburg 47 Fellini
Satyricon 483 Cristina Villa 48 Roma: Amor Through the Looking
Glass 487 Rebecca West 49 Il Casanova di Federico Fellini (Fellini's Casanova) in the Age of #MeToo 491 Alberto Zambenedetti 50 Prova d'orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) 495 John Paul Russo 51 Intervista: There are No Rules 499 Elan Mastai Appendices Foundations and Archives for Fellini Research 503 Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505 Marco Andreucci Appendix B Additional Archival Sources 507 The Editors Index, Terms and Issues 511 Index, Names and Titles 521
Dugdale 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251 Antonella Sisto 23 Fellini and the Aesthetics of Intensity 267 Paolo Bertetto 24 Egli Danza: Fellini's Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279 Vito Zagarrio Part V Contemporary Dialogues 293 25 Remote Control Politics: Federico Fellini and the Politics of Parody 295 Kriss RavettöBiagioli 26 "Il Maestro" Dismantles the Master's House: Fellini's Undoing of Gender and Sexuality 311 Marguerite Waller 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331 Shelleen Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past Part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy 363 Nicola Bassano 30 Fellini's Reception in France 377 Albert Sbragia 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: AnglöAmerican Film and Television Appropriations 403 Frank Burke 33 Il ritorno in patria: From Rimini to Winnipeg by Way of the Alps 419 Russell J. A. Kilbourn 34 Fellini and South Asian Cinemas 425 Esha Niyogi De 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me 433 Amara Lakhous 37 Fellini and Turkey: Influence and Image 435 Cihan Gündödu 38 Fellini in Japan 439 Earl Jackson 39 Fellini in Russia 445 Naum Kleiman 40 Fellini in the Cuban Context 451 Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) 457 Dom Holdaway 42 La strada (1954) 461 Giuseppe Natale 43 Le notti di Cabiria (Nights of Cabiria)-Cabiria in the Classroom: Teaching Fellini in the Twenty
first Century 465 Áine O'Healy 44 La dolce vita (1960) 471 Mark Nicholls 45 Oh, My 8
475 Caroline Thompson 46 Giulietta degli spiriti ( Juliet of the Spirits): A Twenty
First Century Users' Guide 479 Erika Suderburg 47 Fellini
Satyricon 483 Cristina Villa 48 Roma: Amor Through the Looking
Glass 487 Rebecca West 49 Il Casanova di Federico Fellini (Fellini's Casanova) in the Age of #MeToo 491 Alberto Zambenedetti 50 Prova d'orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) 495 John Paul Russo 51 Intervista: There are No Rules 499 Elan Mastai Appendices Foundations and Archives for Fellini Research 503 Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505 Marco Andreucci Appendix B Additional Archival Sources 507 The Editors Index, Terms and Issues 511 Index, Names and Titles 521
Notes on Contributors xi Editors' Notes xxi Foreword xxiii Preface xxix Acknowledgments xxxv Glossary xxxvii Part I Fellini and Friends 1 1 Introduction 3 Marguerite Waller and Frank Burke 2 Fellini, the Artist and the Man: An Interview with Vincenzo Mollica 13 Frank Burke (with Marita Gubareva) 3 Fellini: Backstory and a Dream 27 Goffredo Fofi 4 A Certain Freedom in Filmmaking 31 Lina Wertmüller 5 A Bit of Everything Happened: My Experience of La dolce vita 35 Valeria Ciangottini 6 Fellini a Casa Nostra 37 Carlo and Luca Verdone Part II Beginnings, Inspirations, Intertexts 41 7 Neorealism Masked: Fellini's Films of the 1950s 43 Stefania Parigi 8 Fellini's Graphic Heritage: Drawings, Comics, Animation, and Beyond 59 Marco Bellano 9 In Bed with Fellini: Jung, Ernst Bernhard, Night Work, and Il libro dei sogni 79 Erika Suderburg 10 Fellini and Esotericism: An Ambiguous Adherence 95 Federico Pacchioni 11 Circo Fellini 109 Adriano Aprà 12 Fellini's Sense of Place 117 John Agnew 13 "Il viaggio di G. Mastorna": Fellini Entre Deux Morts 129 Alessandro Carrera 14 An "Incapacity to Affirm": Fellini's Aesthetics and the Decadent Movement 141 Marita Gubareva 15 Fellini and Fashion, a Twöway Street: An Interview with Gianluca Lo Vetro 153 The Editors Part III Collaborations 163 16 Ennio, Tullio, and the Others: Fellini and His Screenwriters 165 Giaime Alonge 17 Fellini and His Producers: Strange Bedfellows 177 Barbara Corsi and Marina Nicoli 18 Masina and Mastroianni: Reconfiguring C. G. Jung's Animus and Anima 191 Victoria Surliuga Part IV Aesthetics and Film Language 205 19 "Io non me ne intendo": Fellini's Relationship to Film Language 207 Marco Vanelli 20 Fellini's Visual Style(s): A Phenomenological Account 223 Hava Aldouby 21 The Liquid Hyperfilm: Fellini, Deleuze, and the Sea as Forza Generatrice 237 Amy Hough
Dugdale 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251 Antonella Sisto 23 Fellini and the Aesthetics of Intensity 267 Paolo Bertetto 24 Egli Danza: Fellini's Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279 Vito Zagarrio Part V Contemporary Dialogues 293 25 Remote Control Politics: Federico Fellini and the Politics of Parody 295 Kriss RavettöBiagioli 26 "Il Maestro" Dismantles the Master's House: Fellini's Undoing of Gender and Sexuality 311 Marguerite Waller 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331 Shelleen Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past Part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy 363 Nicola Bassano 30 Fellini's Reception in France 377 Albert Sbragia 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: AnglöAmerican Film and Television Appropriations 403 Frank Burke 33 Il ritorno in patria: From Rimini to Winnipeg by Way of the Alps 419 Russell J. A. Kilbourn 34 Fellini and South Asian Cinemas 425 Esha Niyogi De 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me 433 Amara Lakhous 37 Fellini and Turkey: Influence and Image 435 Cihan Gündödu 38 Fellini in Japan 439 Earl Jackson 39 Fellini in Russia 445 Naum Kleiman 40 Fellini in the Cuban Context 451 Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) 457 Dom Holdaway 42 La strada (1954) 461 Giuseppe Natale 43 Le notti di Cabiria (Nights of Cabiria)-Cabiria in the Classroom: Teaching Fellini in the Twenty
first Century 465 Áine O'Healy 44 La dolce vita (1960) 471 Mark Nicholls 45 Oh, My 8
475 Caroline Thompson 46 Giulietta degli spiriti ( Juliet of the Spirits): A Twenty
First Century Users' Guide 479 Erika Suderburg 47 Fellini
Satyricon 483 Cristina Villa 48 Roma: Amor Through the Looking
Glass 487 Rebecca West 49 Il Casanova di Federico Fellini (Fellini's Casanova) in the Age of #MeToo 491 Alberto Zambenedetti 50 Prova d'orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) 495 John Paul Russo 51 Intervista: There are No Rules 499 Elan Mastai Appendices Foundations and Archives for Fellini Research 503 Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505 Marco Andreucci Appendix B Additional Archival Sources 507 The Editors Index, Terms and Issues 511 Index, Names and Titles 521
Dugdale 22 Sounding Out Fellini: An Aural Continuum of Voices, Musics, Noises 251 Antonella Sisto 23 Fellini and the Aesthetics of Intensity 267 Paolo Bertetto 24 Egli Danza: Fellini's Contexts and Influence from Before Rossellini to Sorrentino and Beyond 279 Vito Zagarrio Part V Contemporary Dialogues 293 25 Remote Control Politics: Federico Fellini and the Politics of Parody 295 Kriss RavettöBiagioli 26 "Il Maestro" Dismantles the Master's House: Fellini's Undoing of Gender and Sexuality 311 Marguerite Waller 27 Racial Difference and the Postcolonial Imaginary in the Films of Federico Fellini 331 Shelleen Greene 28 Environmental Fellini: Petroculture, the Anthropocene, and the Cinematic Road 347 Elena M. Past Part VI Receptions, Appropriations, Dispersions 361 29 Fellini's Critical Reception in Italy 363 Nicola Bassano 30 Fellini's Reception in France 377 Albert Sbragia 31 The Fellini Brand: Marketing Appropriations of the Fellini Name 391 Rebecca Bauman 32 Fellini Remixed: AnglöAmerican Film and Television Appropriations 403 Frank Burke 33 Il ritorno in patria: From Rimini to Winnipeg by Way of the Alps 419 Russell J. A. Kilbourn 34 Fellini and South Asian Cinemas 425 Esha Niyogi De 35 Interview with Tanvir Mokammel 429 Esha Niyogi De 36 Roma, Fellini, and Me 433 Amara Lakhous 37 Fellini and Turkey: Influence and Image 435 Cihan Gündödu 38 Fellini in Japan 439 Earl Jackson 39 Fellini in Russia 445 Naum Kleiman 40 Fellini in the Cuban Context 451 Luciano Castillo, Jennifer Ruth Hosek, Mario Naito López, Mario Masvidal, and Rebeca Chávez Part VII Short Takes on Individual Films 455 41 Lo sceicco bianco (The White Sheik 1952) 457 Dom Holdaway 42 La strada (1954) 461 Giuseppe Natale 43 Le notti di Cabiria (Nights of Cabiria)-Cabiria in the Classroom: Teaching Fellini in the Twenty
first Century 465 Áine O'Healy 44 La dolce vita (1960) 471 Mark Nicholls 45 Oh, My 8
475 Caroline Thompson 46 Giulietta degli spiriti ( Juliet of the Spirits): A Twenty
First Century Users' Guide 479 Erika Suderburg 47 Fellini
Satyricon 483 Cristina Villa 48 Roma: Amor Through the Looking
Glass 487 Rebecca West 49 Il Casanova di Federico Fellini (Fellini's Casanova) in the Age of #MeToo 491 Alberto Zambenedetti 50 Prova d'orchestra (Orchestra Rehearsal) and E la nave va (And the Ship Sails On) 495 John Paul Russo 51 Intervista: There are No Rules 499 Elan Mastai Appendices Foundations and Archives for Fellini Research 503 Appendix A Rimini and Fellini: The Fondazione Fellini, the Cineteca di Rimini, the Museo Fellini, and CircAmarcord 505 Marco Andreucci Appendix B Additional Archival Sources 507 The Editors Index, Terms and Issues 511 Index, Names and Titles 521