A Companion to Modern British and Irish Drama, 1880 - 2005 - Luckhurst, Mary
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This Companion provides a set of provocative agendas for investigating modern drama. It offers the most comprehensive challenge to existing constructions of the canon and examines in detail the dialogue between developments in Britain and Ireland. Contributors investigate radical postcolonial readings, offer revisionist feminist critiques, and reflect on why certain playwrights have been written in and others written out. Why have certain institutions dominated the constructions of dramatic canons? What role have female playwrights adopted in challenging stage conventions and modes of…mehr

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Produktbeschreibung
This Companion provides a set of provocative agendas for investigating modern drama. It offers the most comprehensive challenge to existing constructions of the canon and examines in detail the dialogue between developments in Britain and Ireland. Contributors investigate radical postcolonial readings, offer revisionist feminist critiques, and reflect on why certain playwrights have been written in and others written out. Why have certain institutions dominated the constructions of dramatic canons? What role have female playwrights adopted in challenging stage conventions and modes of production? These are among the questions addressed by the Companion to Modern British and Irish Drama. The volume analyzes a wide range of plays and performance traditions, and explores the political, cultural, economic and institutional frameworks that readers require in order to get to grips with them. The Companion plots continuities and discontinuities, innovations, and resistances to the new. Its authoritative contributions highlight different treatments of realist conventions, investigate anti-realist experiments, and examine representations of war, terrorism, comedy, trauma and sexuality by playwrights from Shaw and Wilde to the present. Contributors also discuss the contending forces that have influenced the construction of the modern dramatic canon, engaging with contemporary discourses that challenge the dominance of London as well as of white English males and realism.
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Autorenporträt
Mary Luckhurst is Senior Lecturer in Modern Drama at the University of York. She is the author of Dramaturgy: A Revolution in Theatre (2006), co-author of The Drama Handbook: A Guide to Reading Plays (2002), and co-editor of Theatre and Celebrity in Britain, 1660-2000 (2005). She has also edited The Creative Writing Handbook: Techniques for New Writers (1996), On Directing: Interviews with Directors (1999), and On Acting: Interviews with Actors (2002). She was awarded a University of York outstanding teaching award in 2006 and is also one of the Higher Education Academy's National Teaching Fellows.
Rezensionen
"Offers strong and accessible scholarship on major playwrights andaspects of theatrical history and historiography, and usefullyreflects on its own practices and agendas, and will be extremelyuseful to students and theatre scholars." Cercles

"A Companion to Modern British and Irish Drama 1880-2005 isa much needed intervention in the field, with its substantialcoverage of Irish drama and significant essays on the work of womenplaywrights, as well as solid coverage of the usual suspects. It isprofitably innovative in terms of both structure and content. Manyvolumes with such a coverage remit fail to ever go much beyond thestandard canonical playwrights and texts...a 'must buy'for all University libraries...this is a volume which will havecurrency for years to come." New Theatre Quarterly

"Luckhurst argues for a reassessment of 'Englishness,' and,accordingly, this companion emphasizes postcolonial and feministagendas and questions the dominance of urban locales and certaintheatrical institutions...combined, the essays provide a necessaryreassessment of British and Irish drama." Choice

"There is so much valuable material in the book that it issure to be frequently read and consulted."
Donald Hawes, Reference Reviews