Explores sonic events and auditory experiences in German-speaking contexts from the Middle Ages to the digital age, opening up new understandings.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
List of Illustrations Preface Introduction Rolf J. Goebel Part I. Sonic Practices from the Middle Ages to the Nineteenth Century 1: Soundscapes in Medieval German Literature Albrecht Classen 2: A German Dance: Music, Mesmerism, and the Glass Armonica Lawrence Kramer 3: Healthy Throats, German Sounds: Women's Vocal Development and Expertise in German Soundscapes of the Long Nineteenth Century Josephine Hoegaerts Part II. Rediscovering the Sounds of Modernism 4: Heidegger: A Little Hint on How to Listen James M. Kopf 5: New Hearing: Soundscapes of Literary Modernism Frieder von Ammon 6: Tragic Silence and Heroic Clamor: Sound Worlds and Constructed Ethnographies in Fritz Lang's Die Nibelungen (1924) Daniel Sherer Part III. Listening to the Unbearable: The Sounds of National Socialism and the Holocaust 7: Hitler's Voice: Media and Politics of Embodiment Tyler Whitney 8: "The whole language was a scream": The German Language During the Seizure of the Jews Sara Ann Sewell Part IV. After the Catastrophe: Sounds in Postwar Germany and Beyond 9: Revisiting the Soundscapes of Postwar West German Radio Drama Caroline A. Kita 10: Jazz and Its Effect on Politics and Modernity as Presented in German Newsreels and Documentaries of the 1960s Sigrun Lehnert 11: On the Air: Clandestine Radiophonic Protest Groups in Italy, Switzerland, and Germany, 1976-77 Anna Bromley 12: Kittler's Sound Larson Powell 13: Clearing the Throat, Stumbling, and Coughing: An Anthropology of the Sonic Corpus According to Carlfriedrich Claus Holger Schulze Part V. Sounds of the Present 14: Carsten Nicolai's Art of Disturbance: Sound, Science, and Interference Lutz Koepnick 15: Echoes of the Past: Sound in the History Museum Daniel Morat 16: (Post)Digital Sounds: Acoustic Experiments in the Age of Algorithmic Processes Christiane Heibach Part Vi. Epilogue 17: The Sound of Pine Needles Falling: The Art of Max Neuhaus Yehuda Safran Select Bibliography and List of Further Reading Notes on the Contributors Index
List of Illustrations Preface Introduction Rolf J. Goebel Part I. Sonic Practices from the Middle Ages to the Nineteenth Century 1: Soundscapes in Medieval German Literature Albrecht Classen 2: A German Dance: Music, Mesmerism, and the Glass Armonica Lawrence Kramer 3: Healthy Throats, German Sounds: Women's Vocal Development and Expertise in German Soundscapes of the Long Nineteenth Century Josephine Hoegaerts Part II. Rediscovering the Sounds of Modernism 4: Heidegger: A Little Hint on How to Listen James M. Kopf 5: New Hearing: Soundscapes of Literary Modernism Frieder von Ammon 6: Tragic Silence and Heroic Clamor: Sound Worlds and Constructed Ethnographies in Fritz Lang's Die Nibelungen (1924) Daniel Sherer Part III. Listening to the Unbearable: The Sounds of National Socialism and the Holocaust 7: Hitler's Voice: Media and Politics of Embodiment Tyler Whitney 8: "The whole language was a scream": The German Language During the Seizure of the Jews Sara Ann Sewell Part IV. After the Catastrophe: Sounds in Postwar Germany and Beyond 9: Revisiting the Soundscapes of Postwar West German Radio Drama Caroline A. Kita 10: Jazz and Its Effect on Politics and Modernity as Presented in German Newsreels and Documentaries of the 1960s Sigrun Lehnert 11: On the Air: Clandestine Radiophonic Protest Groups in Italy, Switzerland, and Germany, 1976-77 Anna Bromley 12: Kittler's Sound Larson Powell 13: Clearing the Throat, Stumbling, and Coughing: An Anthropology of the Sonic Corpus According to Carlfriedrich Claus Holger Schulze Part V. Sounds of the Present 14: Carsten Nicolai's Art of Disturbance: Sound, Science, and Interference Lutz Koepnick 15: Echoes of the Past: Sound in the History Museum Daniel Morat 16: (Post)Digital Sounds: Acoustic Experiments in the Age of Algorithmic Processes Christiane Heibach Part Vi. Epilogue 17: The Sound of Pine Needles Falling: The Art of Max Neuhaus Yehuda Safran Select Bibliography and List of Further Reading Notes on the Contributors Index
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