New essays on the acclaimed Australian Indigenous author's entire body of work, including his novels, short stories, poetry, and his work with Indigenous language and health.
New essays on the acclaimed Australian Indigenous author's entire body of work, including his novels, short stories, poetry, and his work with Indigenous language and health.
Foreword - Jeanine Leane Acknowledgments Note on Orthography Chronology of Key Writings Introduction - Belinda Wheeler Kim Scott's Publishing History in Three Contexts: Australian Aboriginal, National, and International - Per Henningsgaard Kim Scott's True Country as Aboriginal Bildungsroman - Brenda Machosky The Land Holds All Things: Kim Scott's Benang- A Guide to Postcolonial Spatiality - Lisa Slater Kim Scott's Kayang and Me: Noongar Identity and Evidence of Connection to Country - Christine Choo "Wreck/Con/Silly/Nation": Mimicry, Strategic Essentialism, and the "Friendly Frontier" in Kim Scott's That Deadman Dance - Arindam Das The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Gillian Whitlock The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Roger Osborne Traumatic Landscapes: Inscribing Spectrality and Identity in Kim Scott's "A Refreshing Sleep," "Capture," and "An Intimate Act" - Lydia Saleh Rofail Spatial Poetics and the Uses of Ekphrasis in Kim Scott's "Into the Light" and Other Stories - Nathanael Pree The Poetry of Kim Scott - Tony Hughes-d'Aeth The Wirlomin Project and Kim Scott: Empowering Regional Narratives in a Globalized World of Literature - Natalie Quinlivan Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Rosalie Thackrah Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Sandra Thompson An Interview with Kim Scott - Belinda Wheeler Notes on the Contributors Index
Foreword - Jeanine Leane Acknowledgments Note on Orthography Chronology of Key Writings Introduction - Belinda Wheeler Kim Scott's Publishing History in Three Contexts: Australian Aboriginal, National, and International - Per Henningsgaard Kim Scott's True Country as Aboriginal Bildungsroman - Brenda Machosky The Land Holds All Things: Kim Scott's Benang- A Guide to Postcolonial Spatiality - Lisa Slater Kim Scott's Kayang and Me: Noongar Identity and Evidence of Connection to Country - Christine Choo "Wreck/Con/Silly/Nation": Mimicry, Strategic Essentialism, and the "Friendly Frontier" in Kim Scott's That Deadman Dance - Arindam Das The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Gillian Whitlock The International Reception of Kim Scott's Works: A Case Study Featuring Benang - Roger Osborne Traumatic Landscapes: Inscribing Spectrality and Identity in Kim Scott's "A Refreshing Sleep," "Capture," and "An Intimate Act" - Lydia Saleh Rofail Spatial Poetics and the Uses of Ekphrasis in Kim Scott's "Into the Light" and Other Stories - Nathanael Pree The Poetry of Kim Scott - Tony Hughes-d'Aeth The Wirlomin Project and Kim Scott: Empowering Regional Narratives in a Globalized World of Literature - Natalie Quinlivan Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Rosalie Thackrah Kim Scott as Boundary Rider: Exploring Possibilities and New Frontiers in Aboriginal Health - Sandra Thompson An Interview with Kim Scott - Belinda Wheeler Notes on the Contributors Index
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