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"In her sixth collection with Coffee House, Welish continues to explore rhetorical practices, such as diagramming, inscription, and quotation, to call our attention to literary acts--from finding the right desk to getting lost at logic gates--yet all the while following the mental circuitry of dismantling and re-assembling a poetic language. Expertly manipulating the space of the page, her poems dissolve the boundaries between visual art and the written word. With her signature precision, musicality, and structural rigor, Welish turns the lyric poem into a critical instrument with which to…mehr

Produktbeschreibung
"In her sixth collection with Coffee House, Welish continues to explore rhetorical practices, such as diagramming, inscription, and quotation, to call our attention to literary acts--from finding the right desk to getting lost at logic gates--yet all the while following the mental circuitry of dismantling and re-assembling a poetic language. Expertly manipulating the space of the page, her poems dissolve the boundaries between visual art and the written word. With her signature precision, musicality, and structural rigor, Welish turns the lyric poem into a critical instrument with which to think about the writer's calling, through the specifics of language and literature"--
Autorenporträt
A Complex Sentence, the sixth book of poems by Marjorie Welish to be published by Coffee House Press, received fellowship support from the John Simon Guggenheim Memorial Foundation and St. Edmund’s College, University of Cambridge. For her arts and critical practice, she has received a Fulbright Senior Scholarship, which has taken her to the University of Frankfurt and to the Edinburgh College of Art. Papers delivered on her arts practices at a conference at the University of Pennsylvania are compiled in Of the Diagram: The Work of Marjorie Welish. Signifying Art: Essays on Art after 1960 is a book of her art criticism. A Work, and . . ., in which she is interviewed by Lilly Wei, is the most extensive catalogue of her art.