Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer's microsecond. An essential read for students, teachers and classical music lovers alike.
Paul Griffiths shows how music has changed through the centuries, and suggests how that change mirrors development in the human notion of time, from the eternity of heaven to the computer's microsecond. An essential read for students, teachers and classical music lovers alike.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Paul Griffiths has written extensively on twentieth-century music, particularly on new music and the avant garde, and is one of the most influential music critics of his generation.
Inhaltsangabe
Prehistory; Part I. Time Whole: 1. From Babylonians to Franks; Part II. Time Measured 1100 1400: 2. Troubadours and organists; 3. Ars nove and Narcissus's clock; Part III. Time Sensed 1400 1630: 4. Harmony, the light of time; 5. The radiance of the High Renaissance; 6. Reformation and heartache; 7. To speak in music; Part IV. Time Known 1630 1770: 8. Baroque mornings; 9. Fugue, concerto and operatic passion; 10. Rococo and reform; Part V. Time Embraced 1770 1815: 11. Sonata as comedy; 12. Revolution's momentum; Part VI. Time Escaping 1815 1907: 13. The deaf man and the singer; 14. Angels and other prodigies; 15. New Germans and old Vienna; 16. Romantic evenings; 17. Nightfall and sunrise; Part VII. Time Tangled 1908 75: 18. To begin again; 19. Forwards and backwards, and sideways; 20. The people's needs; 21. To begin again again; 22. Whirlwind; Part VIII. Time Lost 1975 : 23. Echoes in the labyrinth; 24. Interlude; Glossary; Further reading and listening.
Prehistory; Part I. Time Whole: 1. From Babylonians to Franks; Part II. Time Measured 1100 1400: 2. Troubadours and organists; 3. Ars nove and Narcissus's clock; Part III. Time Sensed 1400 1630: 4. Harmony, the light of time; 5. The radiance of the High Renaissance; 6. Reformation and heartache; 7. To speak in music; Part IV. Time Known 1630 1770: 8. Baroque mornings; 9. Fugue, concerto and operatic passion; 10. Rococo and reform; Part V. Time Embraced 1770 1815: 11. Sonata as comedy; 12. Revolution's momentum; Part VI. Time Escaping 1815 1907: 13. The deaf man and the singer; 14. Angels and other prodigies; 15. New Germans and old Vienna; 16. Romantic evenings; 17. Nightfall and sunrise; Part VII. Time Tangled 1908 75: 18. To begin again; 19. Forwards and backwards, and sideways; 20. The people's needs; 21. To begin again again; 22. Whirlwind; Part VIII. Time Lost 1975 : 23. Echoes in the labyrinth; 24. Interlude; Glossary; Further reading and listening.
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