Joseph Priestley
A Course of Lectures on Oratory and Criticism
Joseph Priestley
A Course of Lectures on Oratory and Criticism
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Priestley integrates classical rhetorical principles with contemporary theories of mind in this lecture series, reissued here in its 1781 printing.
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Priestley integrates classical rhetorical principles with contemporary theories of mind in this lecture series, reissued here in its 1781 printing.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 18. September 2013
- Englisch
- Abmessung: 216mm x 140mm x 23mm
- Gewicht: 557g
- ISBN-13: 9781108066075
- ISBN-10: 1108066070
- Artikelnr.: 39684743
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 396
- Erscheinungstermin: 18. September 2013
- Englisch
- Abmessung: 216mm x 140mm x 23mm
- Gewicht: 557g
- ISBN-13: 9781108066075
- ISBN-10: 1108066070
- Artikelnr.: 39684743
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
English scientist, theologian, and political theorist Joseph Priestley (1733-1804) made numerous contributions to chemistry, physics, and philosophy. Priestley, who was raised in Birstall, West Yorkshire, attended local schools before going to Daventry Academy, where he became very interested in natural philosophy. Priestley made significant scientific advances. His greatest-known distxtery, made in 1774, was oxygen, which he dubbed "dephlogisticated air." His investigations into gases and their characteristics, which are detailed in "Experiments and Observations on Different Kinds of Air," greatly enhanced our knowledge of chemistry. Priestley also studied nitrous oxide and carbon dioxide, among other gases. In addition to his scientific interests, Priestley was a prolific writer on theological and political topics as well as a dissident clergyman. He received criticism for his Unitarian beliefs and his perceived radical religious ideas. Priestley was a liberal and democratic idealist whose political writings shaped the early American history.
Dedication
Preface
Part I: 1. The introduction
2. Of the nature and use of topics
3. Of universal topics
4. Of particular topics
5. Of amplification
Part II: 6. Of method in narrative discourses
7. Of method in argumentative discourses
8. Of the several parts of a proper demonstration
9. Of the analytical method
10. Of the method of Mr Hume's inquiry into the principles of morals, etc.
Part III: 11. Of taste
12. What affects the passions, judgment, and imagination
13. Of the tendency of strong emotions to produce belief
14. Of the influence of the passions on each other
15. Of forms of address adapted to gain belief
16. Of objections, etc.
17. Of the pleasures of imagination
18. A general account of the pleasure we receive from objects
19. Of novelty
20. Of the sublime
21. Of the pleasure we receive from uniformity, and variety
22. Of the nature of metaphors
23. Rules for the use of metaphors
24. Of contrast
25. Of burlesque etc.
26. Of riddles, puns, etc.
27. Of metoymy
28. Of the hyperbole and bombast
29. Of personification
30. Of imitation
31. Of climax
32. Of perspicuity in style
33. Of the resemblance between sound and sense
34. Of harmony in verse
35. Of harmony in prose.
Preface
Part I: 1. The introduction
2. Of the nature and use of topics
3. Of universal topics
4. Of particular topics
5. Of amplification
Part II: 6. Of method in narrative discourses
7. Of method in argumentative discourses
8. Of the several parts of a proper demonstration
9. Of the analytical method
10. Of the method of Mr Hume's inquiry into the principles of morals, etc.
Part III: 11. Of taste
12. What affects the passions, judgment, and imagination
13. Of the tendency of strong emotions to produce belief
14. Of the influence of the passions on each other
15. Of forms of address adapted to gain belief
16. Of objections, etc.
17. Of the pleasures of imagination
18. A general account of the pleasure we receive from objects
19. Of novelty
20. Of the sublime
21. Of the pleasure we receive from uniformity, and variety
22. Of the nature of metaphors
23. Rules for the use of metaphors
24. Of contrast
25. Of burlesque etc.
26. Of riddles, puns, etc.
27. Of metoymy
28. Of the hyperbole and bombast
29. Of personification
30. Of imitation
31. Of climax
32. Of perspicuity in style
33. Of the resemblance between sound and sense
34. Of harmony in verse
35. Of harmony in prose.
Dedication
Preface
Part I: 1. The introduction
2. Of the nature and use of topics
3. Of universal topics
4. Of particular topics
5. Of amplification
Part II: 6. Of method in narrative discourses
7. Of method in argumentative discourses
8. Of the several parts of a proper demonstration
9. Of the analytical method
10. Of the method of Mr Hume's inquiry into the principles of morals, etc.
Part III: 11. Of taste
12. What affects the passions, judgment, and imagination
13. Of the tendency of strong emotions to produce belief
14. Of the influence of the passions on each other
15. Of forms of address adapted to gain belief
16. Of objections, etc.
17. Of the pleasures of imagination
18. A general account of the pleasure we receive from objects
19. Of novelty
20. Of the sublime
21. Of the pleasure we receive from uniformity, and variety
22. Of the nature of metaphors
23. Rules for the use of metaphors
24. Of contrast
25. Of burlesque etc.
26. Of riddles, puns, etc.
27. Of metoymy
28. Of the hyperbole and bombast
29. Of personification
30. Of imitation
31. Of climax
32. Of perspicuity in style
33. Of the resemblance between sound and sense
34. Of harmony in verse
35. Of harmony in prose.
Preface
Part I: 1. The introduction
2. Of the nature and use of topics
3. Of universal topics
4. Of particular topics
5. Of amplification
Part II: 6. Of method in narrative discourses
7. Of method in argumentative discourses
8. Of the several parts of a proper demonstration
9. Of the analytical method
10. Of the method of Mr Hume's inquiry into the principles of morals, etc.
Part III: 11. Of taste
12. What affects the passions, judgment, and imagination
13. Of the tendency of strong emotions to produce belief
14. Of the influence of the passions on each other
15. Of forms of address adapted to gain belief
16. Of objections, etc.
17. Of the pleasures of imagination
18. A general account of the pleasure we receive from objects
19. Of novelty
20. Of the sublime
21. Of the pleasure we receive from uniformity, and variety
22. Of the nature of metaphors
23. Rules for the use of metaphors
24. Of contrast
25. Of burlesque etc.
26. Of riddles, puns, etc.
27. Of metoymy
28. Of the hyperbole and bombast
29. Of personification
30. Of imitation
31. Of climax
32. Of perspicuity in style
33. Of the resemblance between sound and sense
34. Of harmony in verse
35. Of harmony in prose.