A Critical Companion to Jane Campion offers an in-depth analysis of the director's work and offers an enriching view of the theoretical, artistic, and cinematic dimensions of her films. Contributors draw on a variety of perspectives to provide innovative readings of Campion's oeuvre that will surely spark new discussions.
A Critical Companion to Jane Campion offers an in-depth analysis of the director's work and offers an enriching view of the theoretical, artistic, and cinematic dimensions of her films. Contributors draw on a variety of perspectives to provide innovative readings of Campion's oeuvre that will surely spark new discussions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Elsa Colombani and Eurydice Da Silva - Contributions by Anna Baccanti; Laura Benoit; Elsa Colombani; Katherine Cottle; Eurydice Da Silva; Wendy Haslem; Hervé Mayer; Sue Matheson; Gilles Menegaldo; Michael Modarelli; Ian Murphy; Helen Richardson
Inhaltsangabe
1. Vestigial Remains: Queens of the Garden, Angels of the House, and Dutiful Daughters in Jane Campion's Sweetie, An Angel at My Table, and Holy Smoke! Sue Matheson 2. Gendered Spaces in Jane Campion's Top of the Lake and Top of the Lake: China Girl: Female Oppression and Neutral Community Laura Benoît 3. Poetic Textures, Jane Campion's Interrogation of Gendered Notions of Creativity in Bright Star Anna Baccanti 4. The Feminine Sublime in the Work of Jane Campion Helen Richardson 5. Staging Desire in Jane Campion's Portrait of a Lady Gilles Menelgado 6. Perspective, Dismemberment, and Editing in In the Cut Wendy Haslem 7. The Mutability of the Male Body in The Piano (1993), Bright Star (2009) and The Power of the Dog (2021) Ian Murphy 8. Opening her Third Eye: Jane Campion's Auteurial Films during the Post-Cold War Decade Catherine Cottle 9. Antipodean Multiplicities: Hypotext and Influence in Jane Campion's Dancing Daze and Two Friends Blythe S Worthy 10. Voiceless in the Trees: Postcolonial Memory and the Gothic in Jane Campion's Sweetie Michael Modarelli 11. The Power of Playing with Genre: The Western Gothic Melodrama in Jane Campion's The Power of the Dog Hervé Meyer
1. Vestigial Remains: Queens of the Garden, Angels of the House, and Dutiful Daughters in Jane Campion's Sweetie, An Angel at My Table, and Holy Smoke! Sue Matheson 2. Gendered Spaces in Jane Campion's Top of the Lake and Top of the Lake: China Girl: Female Oppression and Neutral Community Laura Benoît 3. Poetic Textures, Jane Campion's Interrogation of Gendered Notions of Creativity in Bright Star Anna Baccanti 4. The Feminine Sublime in the Work of Jane Campion Helen Richardson 5. Staging Desire in Jane Campion's Portrait of a Lady Gilles Menelgado 6. Perspective, Dismemberment, and Editing in In the Cut Wendy Haslem 7. The Mutability of the Male Body in The Piano (1993), Bright Star (2009) and The Power of the Dog (2021) Ian Murphy 8. Opening her Third Eye: Jane Campion's Auteurial Films during the Post-Cold War Decade Catherine Cottle 9. Antipodean Multiplicities: Hypotext and Influence in Jane Campion's Dancing Daze and Two Friends Blythe S Worthy 10. Voiceless in the Trees: Postcolonial Memory and the Gothic in Jane Campion's Sweetie Michael Modarelli 11. The Power of Playing with Genre: The Western Gothic Melodrama in Jane Campion's The Power of the Dog Hervé Meyer
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