This volume offers eight interdisciplinary readings to the films of Sofia Coppola, analyzing her oeuvre with a focus on her treatment of masculinity, sexual politics, bodies, and love.
This volume offers eight interdisciplinary readings to the films of Sofia Coppola, analyzing her oeuvre with a focus on her treatment of masculinity, sexual politics, bodies, and love.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Naaman Wood is professor in the Communication Department at Saint Paul College. Christopher Booth is professor in the Music Department at Old Dominion University.
Inhaltsangabe
PART I: MASCULINITY Chapter 1. An Alternative Masculinity: The Habuitus of Vulnerability, Presence, and Mundane Delight in Somewhere (2010) Chapter 2. Limits of Masculinity: Excess, Mimicry, and Ambivalence in The Virgin Suicides (1999) PART II: SEXUAL POLITICS Chapter 3. A Limited Liberation: Film Music, Suture, Feminism, and Anachronism in Marie Antoinette (2006) Chapter 4. Tables Turned: Hospitality, Phallogocentrism, and Virginity in The Beguiled (2017) PART III: BODIES Chapter 5. A Bodily Desire: (Micro)celebrity, Celebrity Culture as Parareligion, and the Erotic in The Bling Ring (2013) Chapter 6. An Embodied Joy: Carnivalesque Subversions and Grotesque Bodies in A Very Murray Christmas (2015) PART IV: LOVE Chapter 7. A Liminal Love: Charles Taylor's Malaise and Chela Sandoval's Decolonial Love in Lost in Translation (2003) Chapter 8. A Managed Love: Emotional Labor, Exhaustion, and Unhappiness in On the Rocks (2020)
PART I: MASCULINITY Chapter 1. An Alternative Masculinity: The Habuitus of Vulnerability, Presence, and Mundane Delight in Somewhere (2010) Chapter 2. Limits of Masculinity: Excess, Mimicry, and Ambivalence in The Virgin Suicides (1999) PART II: SEXUAL POLITICS Chapter 3. A Limited Liberation: Film Music, Suture, Feminism, and Anachronism in Marie Antoinette (2006) Chapter 4. Tables Turned: Hospitality, Phallogocentrism, and Virginity in The Beguiled (2017) PART III: BODIES Chapter 5. A Bodily Desire: (Micro)celebrity, Celebrity Culture as Parareligion, and the Erotic in The Bling Ring (2013) Chapter 6. An Embodied Joy: Carnivalesque Subversions and Grotesque Bodies in A Very Murray Christmas (2015) PART IV: LOVE Chapter 7. A Liminal Love: Charles Taylor's Malaise and Chela Sandoval's Decolonial Love in Lost in Translation (2003) Chapter 8. A Managed Love: Emotional Labor, Exhaustion, and Unhappiness in On the Rocks (2020)
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