A Critical Companion to Terrence Malick
Herausgeber: Sikora, Joshua
A Critical Companion to Terrence Malick
Herausgeber: Sikora, Joshua
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This collection presents comprehensive, unique scholarly analyses of Terrence Malick's films through the lenses of philosophy, poetry, cinema, and theology.
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This collection presents comprehensive, unique scholarly analyses of Terrence Malick's films through the lenses of philosophy, poetry, cinema, and theology.
Produktdetails
- Produktdetails
- Critical Companions to Contemporary Directors
- Verlag: Lexington Books
- Seitenzahl: 290
- Erscheinungstermin: 7. Oktober 2020
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 627g
- ISBN-13: 9781793608628
- ISBN-10: 1793608628
- Artikelnr.: 59081438
- Critical Companions to Contemporary Directors
- Verlag: Lexington Books
- Seitenzahl: 290
- Erscheinungstermin: 7. Oktober 2020
- Englisch
- Abmessung: 235mm x 157mm x 22mm
- Gewicht: 627g
- ISBN-13: 9781793608628
- ISBN-10: 1793608628
- Artikelnr.: 59081438
Joshua Sikora (MFA) is the founder and director of the Cinema & New Media Arts program at Houston Baptist University.
Chapter One: Thinking of Film: What is Cavellian about Malick's Movies?
David LaRocca
Chapter Two: Here and There: Malick's Cinema and McGilchrist's "Divided
Brain"
Adam Daniel
Chapter Three: The Beautiful Light: The Supernaturalist Argument of The
Thin Red Line
David J. Gilbert
Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the
Films of Terrence Malick
Kip Redick
Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line
Timothy E.G. Bartel
Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in
the Work of Terrence Malick
Joshua Russell
Chapter Seven: Auteurs and Movie Brats: Placing Malick's Extraordinary
Career in Context
Dean Yamada
Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in
Dialogue
Anthony Parisi
Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema
Joshua Sikora
Chapter Ten: Disputing Henri de Lubac's Nature and Grace and Job's Ending:
The Tree of Life as Theological Discourse
Naaman Wood
Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of
Terrence Malick
Vernon W. Cisney
Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days
of Heaven and To the Wonder
Matthew Aughtry
Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work
of Cinema
Reno Lauro
David LaRocca
Chapter Two: Here and There: Malick's Cinema and McGilchrist's "Divided
Brain"
Adam Daniel
Chapter Three: The Beautiful Light: The Supernaturalist Argument of The
Thin Red Line
David J. Gilbert
Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the
Films of Terrence Malick
Kip Redick
Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line
Timothy E.G. Bartel
Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in
the Work of Terrence Malick
Joshua Russell
Chapter Seven: Auteurs and Movie Brats: Placing Malick's Extraordinary
Career in Context
Dean Yamada
Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in
Dialogue
Anthony Parisi
Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema
Joshua Sikora
Chapter Ten: Disputing Henri de Lubac's Nature and Grace and Job's Ending:
The Tree of Life as Theological Discourse
Naaman Wood
Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of
Terrence Malick
Vernon W. Cisney
Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days
of Heaven and To the Wonder
Matthew Aughtry
Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work
of Cinema
Reno Lauro
Chapter One: Thinking of Film: What is Cavellian about Malick's Movies?
David LaRocca
Chapter Two: Here and There: Malick's Cinema and McGilchrist's "Divided
Brain"
Adam Daniel
Chapter Three: The Beautiful Light: The Supernaturalist Argument of The
Thin Red Line
David J. Gilbert
Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the
Films of Terrence Malick
Kip Redick
Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line
Timothy E.G. Bartel
Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in
the Work of Terrence Malick
Joshua Russell
Chapter Seven: Auteurs and Movie Brats: Placing Malick's Extraordinary
Career in Context
Dean Yamada
Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in
Dialogue
Anthony Parisi
Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema
Joshua Sikora
Chapter Ten: Disputing Henri de Lubac's Nature and Grace and Job's Ending:
The Tree of Life as Theological Discourse
Naaman Wood
Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of
Terrence Malick
Vernon W. Cisney
Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days
of Heaven and To the Wonder
Matthew Aughtry
Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work
of Cinema
Reno Lauro
David LaRocca
Chapter Two: Here and There: Malick's Cinema and McGilchrist's "Divided
Brain"
Adam Daniel
Chapter Three: The Beautiful Light: The Supernaturalist Argument of The
Thin Red Line
David J. Gilbert
Chapter Four: Saturated Meaning, Poetic Portrayal: Phenomenology in the
Films of Terrence Malick
Kip Redick
Chapter Five: How Can a Film be Poetic? The Case of The Thin Red Line
Timothy E.G. Bartel
Chapter Six: Fractal Reader-Response Structure: A New Narrative Theory in
the Work of Terrence Malick
Joshua Russell
Chapter Seven: Auteurs and Movie Brats: Placing Malick's Extraordinary
Career in Context
Dean Yamada
Chapter Eight: The Search for Time: Terrence Malick and Andrei Tarkovsky in
Dialogue
Anthony Parisi
Chapter Nine: The Journey Home: A Unity of Memory and Cosmology in Cinema
Joshua Sikora
Chapter Ten: Disputing Henri de Lubac's Nature and Grace and Job's Ending:
The Tree of Life as Theological Discourse
Naaman Wood
Chapter Eleven: The Gifts of Death: Visions of Sacrifice in the Worlds of
Terrence Malick
Vernon W. Cisney
Chapter Twelve: A Universal Priesthood: The Vocation of Being Human in Days
of Heaven and To the Wonder
Matthew Aughtry
Chapter Thirteen: The Smile of Life: Recollections on Malick and the Work
of Cinema
Reno Lauro