Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.
Examines the violin's evolution as not just instrument but valued objet d'art through the eyes of musicians, collectors, makers, dealers, connoisseurs, journalists, auctioneers and traders.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
TOM WILDER attended the Chicago School of Violin Making and apprenticed as an instrument restorer in Seoul, Los Angeles and Paris. He is founder of Wilder & Davis Luthiers Inc. in Montreal, a past president of the American Federation of Violin and Bow Makers, and holds a PhD from the University of Cambridge.
Inhaltsangabe
List of Illustrations Acknowledgements Introduction 1. The Emerging Canon of Musical Instruments 2. The Violin at Work 3. The Musical Press: Mirror and Catalyst 4. Collections: Public Display, Private Gatherings 5. Working on the Violin 6. Commerce 7. Connoisseurship and Connoisseurs 8. Synthesis: W. E. Hill & Sons Conclusion Bibliography
List of Illustrations Acknowledgements Introduction 1. The Emerging Canon of Musical Instruments 2. The Violin at Work 3. The Musical Press: Mirror and Catalyst 4. Collections: Public Display, Private Gatherings 5. Working on the Violin 6. Commerce 7. Connoisseurship and Connoisseurs 8. Synthesis: W. E. Hill & Sons Conclusion Bibliography
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