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A Cylindrical Object on Fire in the Dark is a collection of short stories and prose works that explores the elemental aspects of storytelling-from word to sentence to character to gesture to narrative. It is concerned with the question of why words do what they do, why sentences do what they do, and why humans do what they do. Holly Myers is a writer, critic and curator currently based in New Mexico. Her fiction has appeared in the Antioch Review, Zyzzyva and Joyland. Her story "The Guest House" was anthologized in New California Writing 2012 (Heyday) and an excerpt of her first novel was…mehr

Produktbeschreibung
A Cylindrical Object on Fire in the Dark is a collection of short stories and prose works that explores the elemental aspects of storytelling-from word to sentence to character to gesture to narrative. It is concerned with the question of why words do what they do, why sentences do what they do, and why humans do what they do. Holly Myers is a writer, critic and curator currently based in New Mexico. Her fiction has appeared in the Antioch Review, Zyzzyva and Joyland. Her story "The Guest House" was anthologized in New California Writing 2012 (Heyday) and an excerpt of her first novel was published in "Gen F: An Anthology of Short Stories for the Comic Tragedies of Our Times," edited by Gordy Grundy. Her art writing and criticism has appeared in the Los Angeles Times, the LA Weekly, the New York Times, Art Review, Art + Auction and Modern Painters, among other publications. She is the co-editor of Rabble, an imprint of Insert Blanc Press that aims to foster innovative critical writing.
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Autorenporträt
Holly Myers is a writer, artist and sometimes-curator based in Santa Fe, New Mexico. Her collection of short fiction, A Cylindrical Object on Fire in the Dark, was published by Insert Blanc Press in 2018. Road Noise, the first in an ongoing series of artist books, was published by her own imprint, then/and publications, in 2018, followed by Wild Rough Country in 2019 and Heidelberg in 2021. In addition to writing fiction, Myers covered the art world as a critic for the Los Angeles Times and the LA Weekly for fifteen years.