"Mira Schor reminds us that some of the best, and most eye-opening, writing on art has always been made by artists themselves. The essays in "A Decade of Negative Thinking" demolish countless widely held assumptions about contemporary art, and do so with a compelling blend of skepticism and passion."--Raphael Rubinstein, author of "Polychrome Profusion: Selected Art Criticism, 1990-2002"
"Mira Schor reminds us that some of the best, and most eye-opening, writing on art has always been made by artists themselves. The essays in "A Decade of Negative Thinking" demolish countless widely held assumptions about contemporary art, and do so with a compelling blend of skepticism and passion."--Raphael Rubinstein, author of "Polychrome Profusion: Selected Art Criticism, 1990-2002"Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Mira Schor is a painter, writer, and teacher living in New York. She is the author of Wet: On Painting, Feminism, and Art Culture and an editor of The Extreme of the Middle: The Writings of Jack Tworkov (forthcoming) and M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory, and Criticism, also published by Duke University Press. Schor is a recipient of the College Art Association’s Frank Jewett Mather Award in Art Criticism.
Inhaltsangabe
Preface Introduction Part 1:She Said, She Said: Feminist Debates, 1971–2009 The ism that dare not speak its name Anonymity as a Political Tactic: Art Blogs, Feminism, Writing, and Politics Generation 2.5 Email to a Young Woman Artist The Womanhouse Films Miss Elizabeth Bennett Goes to Feminist Boot Camp Part 2:Painting Some Notes on Women and Abstraction and a Curious Case History: Alice Neel as a Great Abstract Painter Like a Veneer Modest Painting Blurring Richter Off the Grid: Weather Conditions in Lower Manhattan, September 11, 2001 to October 2, 2001 Part 3:Trite Tropes Trite Tropes, Clichés, or the Persistence of Styles Recipe Art Work and Play New Tales of Scheherazade Appendix: Work document: Grey Notes Bibliography Index
Preface Introduction Part 1:She Said, She Said: Feminist Debates, 1971–2009 The ism that dare not speak its name Anonymity as a Political Tactic: Art Blogs, Feminism, Writing, and Politics Generation 2.5 Email to a Young Woman Artist The Womanhouse Films Miss Elizabeth Bennett Goes to Feminist Boot Camp Part 2:Painting Some Notes on Women and Abstraction and a Curious Case History: Alice Neel as a Great Abstract Painter Like a Veneer Modest Painting Blurring Richter Off the Grid: Weather Conditions in Lower Manhattan, September 11, 2001 to October 2, 2001 Part 3:Trite Tropes Trite Tropes, Clichés, or the Persistence of Styles Recipe Art Work and Play New Tales of Scheherazade Appendix: Work document: Grey Notes Bibliography Index
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