A Decolonizing Ear investigates how documentary film can challenge conventions of listening and recording shaped by histories of colonial ethnography and extraction.
A Decolonizing Ear investigates how documentary film can challenge conventions of listening and recording shaped by histories of colonial ethnography and extraction.
Olivia Landry is an assistant professor of German at Lehigh University.
Inhaltsangabe
Introduction: The Phonograph on Film 1. Colonial Listening and the Making of a Sound Archive 2. Decolonial Listening: A Methodology in Three Parts 3. The Noise of Decolonial Listening: From Here to Here and The Halfmoon Files 4. (Re-)Sounding Autoethnography in Marlon Fuentes’s Bontoc Eulogy 5. Weird Objects and Disembodied Voices: Audio Evangelism in The Tailenders Conclusion: Sinister Listening and Its Afterlives
Introduction: The Phonograph on Film 1. Colonial Listening and the Making of a Sound Archive 2. Decolonial Listening: A Methodology in Three Parts 3. The Noise of Decolonial Listening: From Here to Here and The Halfmoon Files 4. (Re-)Sounding Autoethnography in Marlon Fuentes’s Bontoc Eulogy 5. Weird Objects and Disembodied Voices: Audio Evangelism in The Tailenders Conclusion: Sinister Listening and Its Afterlives
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