A Decolonizing Ear investigates how documentary film can challenge conventions of listening and recording shaped by histories of colonial ethnography and extraction.
A Decolonizing Ear investigates how documentary film can challenge conventions of listening and recording shaped by histories of colonial ethnography and extraction.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Introduction: The Phonograph on Film 1. Colonial Listening and the Making of a Sound Archive 2. Decolonial Listening: A Methodology in Three Parts 3. The Noise of Decolonial Listening: From Here to Here and The Halfmoon Files 4. (Re-)Sounding Autoethnography in Marlon Fuentes’s Bontoc Eulogy 5. Weird Objects and Disembodied Voices: Audio Evangelism in The Tailenders Conclusion: Sinister Listening and Its Afterlives
Introduction: The Phonograph on Film 1. Colonial Listening and the Making of a Sound Archive 2. Decolonial Listening: A Methodology in Three Parts 3. The Noise of Decolonial Listening: From Here to Here and The Halfmoon Files 4. (Re-)Sounding Autoethnography in Marlon Fuentes’s Bontoc Eulogy 5. Weird Objects and Disembodied Voices: Audio Evangelism in The Tailenders Conclusion: Sinister Listening and Its Afterlives
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