Thomas Busby
A General History of Music, from the Earliest Times to the Present
Volume 1: Comprising the Lives of Eminent Composers and Musical Writers
Thomas Busby
A General History of Music, from the Earliest Times to the Present
Volume 1: Comprising the Lives of Eminent Composers and Musical Writers
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Intended for the general reader, this two-volume work, first published in 1819, is a concise, popular interpretation of musical history.
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Intended for the general reader, this two-volume work, first published in 1819, is a concise, popular interpretation of musical history.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 570
- Erscheinungstermin: 8. Mai 2013
- Englisch
- Abmessung: 216mm x 140mm x 33mm
- Gewicht: 794g
- ISBN-13: 9781108061742
- ISBN-10: 1108061745
- Artikelnr.: 37455710
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
- Verlag: Cambridge University Press
- Seitenzahl: 570
- Erscheinungstermin: 8. Mai 2013
- Englisch
- Abmessung: 216mm x 140mm x 33mm
- Gewicht: 794g
- ISBN-13: 9781108061742
- ISBN-10: 1108061745
- Artikelnr.: 37455710
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- gpsr@libri.de
Preface
1. Origin, and early progress of music
2. The ancient melopoeia
3. Disputed counterpoint of the ancients
4. Reputed effects of the ancient music
5. Egyptian and Hebrew music
6. Ancient music, as connected with the Grecian mythology
7. Musicians and poets, subsequent to Hesiod and Homer
8. The Grecian games
9. The ancient musical theorists, and their works
10. Practical view of the ancient music, vocal, and instrumental
11. Music of the ancient Romans
12. Music of the early Christians to the time of Guido
13. State of music from the time of Guido to the formation of the time table
14. Invention of the time table
15. Minstrels, troubadours, etc.
16. General state of music, from the beginning of the fourteenth century to the time of Hambois
17. State of music, from the time of Hambois to the invention of printing
18. State of music, from the invention of printing to the time of Josquin del Prato
19. Josquin del Prato
20. State of music from the early part of the sixteenth century, to the reign of Elizabeth.
1. Origin, and early progress of music
2. The ancient melopoeia
3. Disputed counterpoint of the ancients
4. Reputed effects of the ancient music
5. Egyptian and Hebrew music
6. Ancient music, as connected with the Grecian mythology
7. Musicians and poets, subsequent to Hesiod and Homer
8. The Grecian games
9. The ancient musical theorists, and their works
10. Practical view of the ancient music, vocal, and instrumental
11. Music of the ancient Romans
12. Music of the early Christians to the time of Guido
13. State of music from the time of Guido to the formation of the time table
14. Invention of the time table
15. Minstrels, troubadours, etc.
16. General state of music, from the beginning of the fourteenth century to the time of Hambois
17. State of music, from the time of Hambois to the invention of printing
18. State of music, from the invention of printing to the time of Josquin del Prato
19. Josquin del Prato
20. State of music from the early part of the sixteenth century, to the reign of Elizabeth.
Preface
1. Origin, and early progress of music
2. The ancient melopoeia
3. Disputed counterpoint of the ancients
4. Reputed effects of the ancient music
5. Egyptian and Hebrew music
6. Ancient music, as connected with the Grecian mythology
7. Musicians and poets, subsequent to Hesiod and Homer
8. The Grecian games
9. The ancient musical theorists, and their works
10. Practical view of the ancient music, vocal, and instrumental
11. Music of the ancient Romans
12. Music of the early Christians to the time of Guido
13. State of music from the time of Guido to the formation of the time table
14. Invention of the time table
15. Minstrels, troubadours, etc.
16. General state of music, from the beginning of the fourteenth century to the time of Hambois
17. State of music, from the time of Hambois to the invention of printing
18. State of music, from the invention of printing to the time of Josquin del Prato
19. Josquin del Prato
20. State of music from the early part of the sixteenth century, to the reign of Elizabeth.
1. Origin, and early progress of music
2. The ancient melopoeia
3. Disputed counterpoint of the ancients
4. Reputed effects of the ancient music
5. Egyptian and Hebrew music
6. Ancient music, as connected with the Grecian mythology
7. Musicians and poets, subsequent to Hesiod and Homer
8. The Grecian games
9. The ancient musical theorists, and their works
10. Practical view of the ancient music, vocal, and instrumental
11. Music of the ancient Romans
12. Music of the early Christians to the time of Guido
13. State of music from the time of Guido to the formation of the time table
14. Invention of the time table
15. Minstrels, troubadours, etc.
16. General state of music, from the beginning of the fourteenth century to the time of Hambois
17. State of music, from the time of Hambois to the invention of printing
18. State of music, from the invention of printing to the time of Josquin del Prato
19. Josquin del Prato
20. State of music from the early part of the sixteenth century, to the reign of Elizabeth.