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Burney's most famous work, based on research during two European tours, providing valuable insight into musical tastes of the time.
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Burney's most famous work, based on research during two European tours, providing valuable insight into musical tastes of the time.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 712
- Erscheinungstermin: 22. Oktober 2010
- Englisch
- Abmessung: 297mm x 210mm x 38mm
- Gewicht: 1814g
- ISBN-13: 9781108016421
- ISBN-10: 1108016421
- Artikelnr.: 31811023
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 712
- Erscheinungstermin: 22. Oktober 2010
- Englisch
- Abmessung: 297mm x 210mm x 38mm
- Gewicht: 1814g
- ISBN-13: 9781108016421
- ISBN-10: 1108016421
- Artikelnr.: 31811023
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Essay on the euphony
or sweetness of languages
and their fitness for music; 1. Of the invention of recitative
and establishment of the musical drama
or opera
in Italy; 2. Rise and progress of the sacred musical drama
or oratorio; 3. Of the opera buffa
or comic-opera
and intermezzi
or musical interludes
during the seventeenth century; 4. Of cantatas
or narrative chamber music; 5. Attempts at dramatic music in England
previous to the establishment of the Italian opera there; 6. Origin of the Italian opera in England
and its progress there during the present century; 7. Progress of the musical drama at Venice
during the present century; 8. Progress of the musical drama at Naples
and account of the eminent composers and school of counterpoint in that city; 9. Opera composers employed at Rome
and tracts published in Italy on the theory and practice of music
during the present century; 10. Of the progress of music in Germany
during the present century; 11. Of the music of France
during the present century; 12. General state of music in England at our national theatres
public gardens
and concerts
during the present century; Conclusion; Bibliography; Index.
or sweetness of languages
and their fitness for music; 1. Of the invention of recitative
and establishment of the musical drama
or opera
in Italy; 2. Rise and progress of the sacred musical drama
or oratorio; 3. Of the opera buffa
or comic-opera
and intermezzi
or musical interludes
during the seventeenth century; 4. Of cantatas
or narrative chamber music; 5. Attempts at dramatic music in England
previous to the establishment of the Italian opera there; 6. Origin of the Italian opera in England
and its progress there during the present century; 7. Progress of the musical drama at Venice
during the present century; 8. Progress of the musical drama at Naples
and account of the eminent composers and school of counterpoint in that city; 9. Opera composers employed at Rome
and tracts published in Italy on the theory and practice of music
during the present century; 10. Of the progress of music in Germany
during the present century; 11. Of the music of France
during the present century; 12. General state of music in England at our national theatres
public gardens
and concerts
during the present century; Conclusion; Bibliography; Index.
Essay on the euphony
or sweetness of languages
and their fitness for music; 1. Of the invention of recitative
and establishment of the musical drama
or opera
in Italy; 2. Rise and progress of the sacred musical drama
or oratorio; 3. Of the opera buffa
or comic-opera
and intermezzi
or musical interludes
during the seventeenth century; 4. Of cantatas
or narrative chamber music; 5. Attempts at dramatic music in England
previous to the establishment of the Italian opera there; 6. Origin of the Italian opera in England
and its progress there during the present century; 7. Progress of the musical drama at Venice
during the present century; 8. Progress of the musical drama at Naples
and account of the eminent composers and school of counterpoint in that city; 9. Opera composers employed at Rome
and tracts published in Italy on the theory and practice of music
during the present century; 10. Of the progress of music in Germany
during the present century; 11. Of the music of France
during the present century; 12. General state of music in England at our national theatres
public gardens
and concerts
during the present century; Conclusion; Bibliography; Index.
or sweetness of languages
and their fitness for music; 1. Of the invention of recitative
and establishment of the musical drama
or opera
in Italy; 2. Rise and progress of the sacred musical drama
or oratorio; 3. Of the opera buffa
or comic-opera
and intermezzi
or musical interludes
during the seventeenth century; 4. Of cantatas
or narrative chamber music; 5. Attempts at dramatic music in England
previous to the establishment of the Italian opera there; 6. Origin of the Italian opera in England
and its progress there during the present century; 7. Progress of the musical drama at Venice
during the present century; 8. Progress of the musical drama at Naples
and account of the eminent composers and school of counterpoint in that city; 9. Opera composers employed at Rome
and tracts published in Italy on the theory and practice of music
during the present century; 10. Of the progress of music in Germany
during the present century; 11. Of the music of France
during the present century; 12. General state of music in England at our national theatres
public gardens
and concerts
during the present century; Conclusion; Bibliography; Index.