William Smyth Rockstro
A General History of Music
From the Infancy of the Greek Drama to the Present Period
William Smyth Rockstro
A General History of Music
From the Infancy of the Greek Drama to the Present Period
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This elegant 1886 work gives due weight to the history of music in England as well as the contemporary scene.
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This elegant 1886 work gives due weight to the history of music in England as well as the contemporary scene.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 558
- Erscheinungstermin: 17. Mai 2013
- Englisch
- Abmessung: 216mm x 140mm x 33mm
- Gewicht: 778g
- ISBN-13: 9781108064798
- ISBN-10: 1108064795
- Artikelnr.: 38605680
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
- Verlag: Cambridge University Press
- Seitenzahl: 558
- Erscheinungstermin: 17. Mai 2013
- Englisch
- Abmessung: 216mm x 140mm x 33mm
- Gewicht: 778g
- ISBN-13: 9781108064798
- ISBN-10: 1108064795
- Artikelnr.: 38605680
- Herstellerkennzeichnung
- Books on Demand GmbH
- In de Tarpen 42
- 22848 Norderstedt
- info@bod.de
- 040 53433511
Preface
Part I. Music in the Early Ages: 1. The music of the Greeks
2. The music of the early Christians
Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages
4. Troubadours, minstrels and minnesingers
5. The invention of counterpoint
6. Concerning the polyphonic schools
7. The productions of the polyphonic schools
8. Polyphonic music in England
9. Mediaeval hymnody
Part III. Music in the Seventeenth Century: 10. On the schools of the decadence
11. Early history of the opera
12. Early history of the oratorio
13. Instrumental music
14. The later composers
15. The English school of the Restoration
Part IV. Music in the Eighteenth Century: 16. Music in Italy
17. Music in France, England and Germany
18. The modern system of part-writing
19. The seven lamps
20. George Frederick Handel
21. Johann Sebastian Bach
22. Christoph Willibald Gluck
23. Franz Joseph Haydn
24. Wolfgang Amadeus Mozart
25. Ludwig van Beethoven
26. The development of the piano-forte
27. Dramatic music in Italy
28. Dramatic music in France
29. The schools of Leipzig and Vienna
30. Music in England
Part V. Music in the Nineteenth Century: 31. The seven lesser lights
32. Music in Italy
33. The German schools
34. The French schools
35. The English schools
Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world
37. Wilhelm Richard Wagner
38. L'envoi
Appendix
Index and chronological table.
Part I. Music in the Early Ages: 1. The music of the Greeks
2. The music of the early Christians
Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages
4. Troubadours, minstrels and minnesingers
5. The invention of counterpoint
6. Concerning the polyphonic schools
7. The productions of the polyphonic schools
8. Polyphonic music in England
9. Mediaeval hymnody
Part III. Music in the Seventeenth Century: 10. On the schools of the decadence
11. Early history of the opera
12. Early history of the oratorio
13. Instrumental music
14. The later composers
15. The English school of the Restoration
Part IV. Music in the Eighteenth Century: 16. Music in Italy
17. Music in France, England and Germany
18. The modern system of part-writing
19. The seven lamps
20. George Frederick Handel
21. Johann Sebastian Bach
22. Christoph Willibald Gluck
23. Franz Joseph Haydn
24. Wolfgang Amadeus Mozart
25. Ludwig van Beethoven
26. The development of the piano-forte
27. Dramatic music in Italy
28. Dramatic music in France
29. The schools of Leipzig and Vienna
30. Music in England
Part V. Music in the Nineteenth Century: 31. The seven lesser lights
32. Music in Italy
33. The German schools
34. The French schools
35. The English schools
Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world
37. Wilhelm Richard Wagner
38. L'envoi
Appendix
Index and chronological table.
Preface
Part I. Music in the Early Ages: 1. The music of the Greeks
2. The music of the early Christians
Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages
4. Troubadours, minstrels and minnesingers
5. The invention of counterpoint
6. Concerning the polyphonic schools
7. The productions of the polyphonic schools
8. Polyphonic music in England
9. Mediaeval hymnody
Part III. Music in the Seventeenth Century: 10. On the schools of the decadence
11. Early history of the opera
12. Early history of the oratorio
13. Instrumental music
14. The later composers
15. The English school of the Restoration
Part IV. Music in the Eighteenth Century: 16. Music in Italy
17. Music in France, England and Germany
18. The modern system of part-writing
19. The seven lamps
20. George Frederick Handel
21. Johann Sebastian Bach
22. Christoph Willibald Gluck
23. Franz Joseph Haydn
24. Wolfgang Amadeus Mozart
25. Ludwig van Beethoven
26. The development of the piano-forte
27. Dramatic music in Italy
28. Dramatic music in France
29. The schools of Leipzig and Vienna
30. Music in England
Part V. Music in the Nineteenth Century: 31. The seven lesser lights
32. Music in Italy
33. The German schools
34. The French schools
35. The English schools
Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world
37. Wilhelm Richard Wagner
38. L'envoi
Appendix
Index and chronological table.
Part I. Music in the Early Ages: 1. The music of the Greeks
2. The music of the early Christians
Part II. Music in the Middle Ages: 3. The condition of music in the early middle ages
4. Troubadours, minstrels and minnesingers
5. The invention of counterpoint
6. Concerning the polyphonic schools
7. The productions of the polyphonic schools
8. Polyphonic music in England
9. Mediaeval hymnody
Part III. Music in the Seventeenth Century: 10. On the schools of the decadence
11. Early history of the opera
12. Early history of the oratorio
13. Instrumental music
14. The later composers
15. The English school of the Restoration
Part IV. Music in the Eighteenth Century: 16. Music in Italy
17. Music in France, England and Germany
18. The modern system of part-writing
19. The seven lamps
20. George Frederick Handel
21. Johann Sebastian Bach
22. Christoph Willibald Gluck
23. Franz Joseph Haydn
24. Wolfgang Amadeus Mozart
25. Ludwig van Beethoven
26. The development of the piano-forte
27. Dramatic music in Italy
28. Dramatic music in France
29. The schools of Leipzig and Vienna
30. Music in England
Part V. Music in the Nineteenth Century: 31. The seven lesser lights
32. Music in Italy
33. The German schools
34. The French schools
35. The English schools
Part VI. The Present Condition of Music, and its Probable Influence upon the Future: 36. The new world
37. Wilhelm Richard Wagner
38. L'envoi
Appendix
Index and chronological table.