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Concerning the Blessed Mystery of the Philosopher's Stone; Introduction by Arthur Edward Waite. Contents: An Epigram concerning the Philosopher's Stone, by Alexander de S., to Gulielmus Blaucus; Book of the Revelation of Hermes, Interpreted by Theophrastus Paracelsus, concerning the Supreme Secret of the World; Concerning the True Medicine of the Most Distinguished Man, Alexander von Suchten; Man, the best and most perfect of God's creatures. A more complete Exposition of this Medical Foundation for the less Experienced Student; A Dialogue, by Alexander von Suchten, Introducing two…mehr

Produktbeschreibung
Concerning the Blessed Mystery of the Philosopher's Stone; Introduction by Arthur Edward Waite. Contents: An Epigram concerning the Philosopher's Stone, by Alexander de S., to Gulielmus Blaucus; Book of the Revelation of Hermes, Interpreted by Theophrastus Paracelsus, concerning the Supreme Secret of the World; Concerning the True Medicine of the Most Distinguished Man, Alexander von Suchten; Man, the best and most perfect of God's creatures. A more complete Exposition of this Medical Foundation for the less Experienced Student; A Dialogue, by Alexander von Suchten, Introducing two Interlocutory personages, viz., Alexander and Bernhardus; Extracts from the Book of the Three Faculties, by Alexander von Suchten; An Explanation of the Natural Philosopher's Tincture of Theophrastus Paracelsus, by Alexander von Suchten; Corollary concerning Hyle; Certain Notable Facts concerning the Philosopher's Stone; Four Degrees in the Regimen of Fire; Concerning Salts; Philosophical Rules or Canons concerning the Philosopher's Stone; Anonymous Treatise concerning the Philosopher's Stone; Certain Verses of an Unknown Writer concerning the Great Work of the Tincture; Enigmas concerning the Tincture; Concerning the Potable Gold of Theophrastus Paracelsus; Of the Power, Operation, and exceedingly beneficial Use of the Glorious Antidote termed Potable Gold.
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Autorenporträt
Gibran's sketches were first shown in public in 1904 at Day's studio in Boston. At first, Gibran's father was an apothecary employee, but he was unable to make ends meet due to gambling debts. He started working for the local Ottoman administration. In Boston, at Day's studio, Gibran displayed his sketches for the first time in January 1904. Gibran met Mary Haskell, a city headmistress of a girls' school who is nine years his senior, at this show. They grew close, and Gibran kept that connection throughout the rest of his life.