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Paul Arnott has two very early memories. One is as a two-year-old having a bath in a hotel sink in Tenby; the other, a Bromley afternoon, when Mr and Mrs Arnott told Paul that 'his real Mummy and Daddy couldn't keep him' - & that they had adopted him. Then, for 30 years, he barely gave his adoption a moment's thought - until the observation of the likeness between his son & himself provoked a quest to find his own biological parents ... What he discovered was a near-complete family in Ireland - his parents had later married & had four other children, lighting a candle in his name every day for…mehr

Produktbeschreibung
Paul Arnott has two very early memories. One is as a two-year-old having a bath in a hotel sink in Tenby; the other, a Bromley afternoon, when Mr and Mrs Arnott told Paul that 'his real Mummy and Daddy couldn't keep him' - & that they had adopted him. Then, for 30 years, he barely gave his adoption a moment's thought - until the observation of the likeness between his son & himself provoked a quest to find his own biological parents ... What he discovered was a near-complete family in Ireland - his parents had later married & had four other children, lighting a candle in his name every day for 33 years. A GOOD LIKENESS weaves historical, political, religious & psychological thought into a personal narrative of the hopes, 'what-ifs' & discoveries of the author's quest. He talks to those of his parent's generation who did not yield to the pressure to abandon the illegitimate & to the children with very different stories to tell, as well as priests & politicians, newfound families & the supportive or unreconciled adoptive relatives.
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Autorenporträt
Paul Arnott was born in 1961. He has contributed to publications such as the Independent and Time Out, before becoming Series Editor of the C4 daily arts programme. He has since evolved into a television producer and director, filming at Cannes, across India and Johannesburg and with the RSC.