An essential collection of classic stories that established Flannery O'Connor's reputation as an American master of fiction-now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique view of life-infused with religious symbolism, haunted by apocalyptic possibility,…mehr
An essential collection of classic stories that established Flannery O'Connor's reputation as an American master of fiction-now with a new introduction by New York Times bestselling author Lauren Groff In 1955, with the title story and others in this critical edition, Flannery O'Connor firmly laid claim to her place as one of the most original and provocative writers of her generation. Steeped in a Southern Gothic tradition that would become synonymous with her name, these stories show O'Connor's unique view of life-infused with religious symbolism, haunted by apocalyptic possibility, sustained by the tragic comedy of human behavior, confronted by the necessity of salvation. These classic stories-including "The Life You Save May Be Your Own," "Good Country People," and "The Displaced Person," among others, are sure to inspire future generations of fans and remind existing readers why she remains a master of the short story.
FLANNERY O’CONNOR (1925–1964) was born in Savannah, Georgia. She earned her MFA at the University of Iowa, but lived most of her life in the South, where she became an anomaly among post–World War II authors: a Roman Catholic woman whose stated purpose was to reveal the mystery of God’s grace in everyday life. Her work—novels, short stories, letters, and criticism—received a number of awards, including the National Book Award.
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