Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art.
Material matters in new Chinese art, which presents its subjects through the directness and immediacy of its material. This book applies theories by Osborne and Danto to new Chinese art to show how artists are working below the level of language to make each work of art prove that it is art.
Mary Bittner Wiseman is a retired professor of philosophy at Brooklyn College and of philosophy and comparative literature at The Graduate Center of the City University of New York.
Inhaltsangabe
Illustrations Exhibitions Acknowledgments Introduction Part One - Crisis Chapter One - Subversive Strategies in Contemporary Chinese Art Chapter Two - The Role of Expression in Chinese Art Part Two - Working through Art Chapter Three - A Grand Materialism Chapter Four - Gendered Bodies in Contemporary Chinese Art Part Three - Thinking through Art Chapter Five - Art and China after 1989: Theater of the World Chapter Six - According to What? and Bound Unbound Chapter Seven - Mao's Legacy and Danto's Definition Bibliography
Illustrations Exhibitions Acknowledgments Introduction Part One - Crisis Chapter One - Subversive Strategies in Contemporary Chinese Art Chapter Two - The Role of Expression in Chinese Art Part Two - Working through Art Chapter Three - A Grand Materialism Chapter Four - Gendered Bodies in Contemporary Chinese Art Part Three - Thinking through Art Chapter Five - Art and China after 1989: Theater of the World Chapter Six - According to What? and Bound Unbound Chapter Seven - Mao's Legacy and Danto's Definition Bibliography
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