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For I prefer beauty always a little soured. When it comes to me as a spoonful of syrup, I spit it out. Gilbert Hand hasn't been the same since his wife died. He's moved to a dull but respectable hotel where silence seems to brood in the hall and stairway. In a secret drawer he discovers a long, thick hank of human hair, and his world narrows down to two people - himself and the murderer. The Wakefield Crime Classics series revives forgotten or neglected gems of crime and mystery fiction by Australian authors. Many of the writers have established international reputations but are little known in Australia.…mehr

Produktbeschreibung
For I prefer beauty always a little soured. When it comes to me as a spoonful of syrup, I spit it out. Gilbert Hand hasn't been the same since his wife died. He's moved to a dull but respectable hotel where silence seems to brood in the hall and stairway. In a secret drawer he discovers a long, thick hank of human hair, and his world narrows down to two people - himself and the murderer. The Wakefield Crime Classics series revives forgotten or neglected gems of crime and mystery fiction by Australian authors. Many of the writers have established international reputations but are little known in Australia.
Autorenporträt
Charlotte Jay was born in 1919 in Adelaide, Australia, where she operated an oriental art dealing business and continued to write until her death in 1996. Her mystery and suspense novels reflect a life spent travelling and her desire to 'frighten and mystify readers by asking them to identify themselves with a character bat- tling for survival in a lonely, claustrophobic situation'.She worked in 1949 for the Australian administration in Papua New Guinea, where she set Beat Not the Bones, for which she won the first Edgar Allan Poe award of the Mystery Writers' Association of America. The famous American critic Dorothy B. Hughes called her 'one of the most important writers of far-off places and their mysterious qualities'.