A Haunting on the Hill - Hand, Elizabeth
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Erscheint vorauss. 26. September 2024
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Whatever walks there, no longer walks alone . . .
Playwright Holly Sherwin is close to her big break. Having received a grant to develop her new play, all she needs is time and space to bring her vision to life. Then on a weekend away, she stumbles upon Hill House - an ornate if crumbling gothic mansion, near-hidden outside a small town.
Soon Holly's troupe of actors - each with ghosts of their own - arrive at Hill House for a creative retreat. But before long they find themselves at odds not just with one another, but with the house itself.
For something has been waiting patiently in…mehr

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Produktbeschreibung
Whatever walks there, no longer walks alone . . .

Playwright Holly Sherwin is close to her big break. Having received a grant to develop her new play, all she needs is time and space to bring her vision to life. Then on a weekend away, she stumbles upon Hill House - an ornate if crumbling gothic mansion, near-hidden outside a small town.

Soon Holly's troupe of actors - each with ghosts of their own - arrive at Hill House for a creative retreat. But before long they find themselves at odds not just with one another, but with the house itself.

For something has been waiting patiently in Hill House all these years.
Something no longer content to walk alone.
Autorenporträt
Elizabeth Hand is the author of twenty-plus cross-genre novels and five collections of short fiction. Her work has received the Shirley Jackson Award (three times), the World Fantasy Award (four times), the Nebula Award (twice), as well as the James M. Tiptree Jr. and Mythopoeic Society Awards. She's a longtime critic and contributor of essays for the Washington Post, Los Angeles Times, Salon, Boston Review, and the Village Voice, among many others. She divides her time between the Maine coast and North London.
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Scary and beautifully written, imbued with the same sense of dread and inevitability as Jackson's original, A Haunting on the Hill is quite extraordinary. It's not pastiche, not ventriloquism. It puts me strongly in mind of a singer you love covering a song by another artist. It's that song but now it's being done by someone else. Remarkable. NEIL GAIMAN, author of AMERICAN GODS