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"In this thoroughly researched but accessibly written book, the respected scholar-monk Bhikkhu Anåalayo explores-and sharply criticizes-four examples of what he terms "superiority conceit" in Buddhism: the androcentric idea that women are not suitable for monastic roles and less capable of becoming advanced bodhisattvas the Mahayana notion that those who don't aspire to become bodhisattvas are inferior practitioners the Theravada belief that theirs is the truest, most original expression of the Buddha's teaching the Secular Buddhist opinion that Buddhism is best practiced divorced of ritual…mehr

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"In this thoroughly researched but accessibly written book, the respected scholar-monk Bhikkhu Anåalayo explores-and sharply criticizes-four examples of what he terms "superiority conceit" in Buddhism: the androcentric idea that women are not suitable for monastic roles and less capable of becoming advanced bodhisattvas the Mahayana notion that those who don't aspire to become bodhisattvas are inferior practitioners the Theravada belief that theirs is the truest, most original expression of the Buddha's teaching the Secular Buddhist opinion that Buddhism is best practiced divorced of ritual and dogma Armed with his rigorous examination of the canonical records, Ven. Anåalayo challenges the scriptural basis for these conceits and points out that adhering to such notions of superiority is not, after all, conducive to practice. "It is by diminishing ego, letting go of arrogance, and abandoning conceit that one becomes a better Buddhist," he reminds us, "no matter what tradition one may follow.""--
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Autorenporträt
Bhikkhu Analayo is a scholar of early Buddhism and a meditation teacher. He completed his PhD research on the Satipatthanasutta at the University of Peradeniya, Sri Lanka, in 2000 and his habilitation research with a comparative study of the Majjhima Nikaya in the light of its Chinese, Sanskrit, and Tibetan parallels at the University of Marburg, Germany in 2007. His over five hundred publications are for the most part based on comparative studies, with a special interest in topics related to meditation and the role of women in Buddhism.