Bernard Bosanquet, Former Fellow of University of Oxford.
Inhaltsangabe
Preface 1. Proposed treatment, and its connection with the definition of beauty 2. The creation of a poetic world, and its first encounter with reflection 3. The fundamental outlines of Greek theory concerning the beautiful 4. Signs of progress in Greek theory concerning the beautiful 5. Alexandrian and Greco-Roman culture to the reign of Constantine the Great 6. Some traces of the continuity of the aesthetic consciousness throughout the middle ages 7. A comparison of Dante and Shakespeare in respect of some formal characteristics 8. The problem of modern aesthetic philosophy 9. The data of modern aesthetic philosophy 10. Kant - the problem brought to a focus 11. The first steps of a concrete synthesis - Schiller and Goethe 12. Objective idealism - Schelling and Hegel 13. 'Exact' aesthetic in German 14. The methodical completion of objective idealism 15. Beginnings of a theoretical reunion of content and expression Appendix Bibliography Index.
Preface 1. Proposed treatment, and its connection with the definition of beauty 2. The creation of a poetic world, and its first encounter with reflection 3. The fundamental outlines of Greek theory concerning the beautiful 4. Signs of progress in Greek theory concerning the beautiful 5. Alexandrian and Greco-Roman culture to the reign of Constantine the Great 6. Some traces of the continuity of the aesthetic consciousness throughout the middle ages 7. A comparison of Dante and Shakespeare in respect of some formal characteristics 8. The problem of modern aesthetic philosophy 9. The data of modern aesthetic philosophy 10. Kant - the problem brought to a focus 11. The first steps of a concrete synthesis - Schiller and Goethe 12. Objective idealism - Schelling and Hegel 13. 'Exact' aesthetic in German 14. The methodical completion of objective idealism 15. Beginnings of a theoretical reunion of content and expression Appendix Bibliography Index.
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