This landmark book not only offers the first account of the history of emotion in Western music, with a broad sweep from Gregorian chant to Beyoncé, but also lays out an original theory for understanding musical emotion that centers the work of composers and performers.
This landmark book not only offers the first account of the history of emotion in Western music, with a broad sweep from Gregorian chant to Beyoncé, but also lays out an original theory for understanding musical emotion that centers the work of composers and performers.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Michael Spitzer is Professor of Music at the University of Liverpool, leading the department's work on Classical music. He is former Chair of the Editorial Board of Music Analysis and past President of the Society for Music Analysis. His many publications explore the interactions between music theory, philosophy, and psychology. He inaugurated the series of International Conferences on Music and Emotion at Durham in 2009 and co-organized the International Conference on the Analysis of Popular Music in Liverpool in 2013.
Inhaltsangabe
Introduction: Why Not? Part I: The Theory Chapter 1: Concepts Chapter 2: Categories Chapter 3: Compounds Chapter 4: Histories Part II: The Narrative Before Emotion Chapter 5: The Augustinian Ascent The Age of Affective Realism Chapter 6: Passions Chapter 7: Sentiments Chapter 8: Emotions After Emotion Chapter 9: Affects Endnotes
Introduction: Why Not? Part I: The Theory Chapter 1: Concepts Chapter 2: Categories Chapter 3: Compounds Chapter 4: Histories Part II: The Narrative Before Emotion Chapter 5: The Augustinian Ascent The Age of Affective Realism Chapter 6: Passions Chapter 7: Sentiments Chapter 8: Emotions After Emotion Chapter 9: Affects Endnotes
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