Jonas Liliequist
A History of Emotions, 1200-1800
Jonas Liliequist
A History of Emotions, 1200-1800
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The essays in this collection examine emotional responses to art and music, the role of emotions in contemporary notions of gender and sexuality and theoretical questions as to their use.
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The essays in this collection examine emotional responses to art and music, the role of emotions in contemporary notions of gender and sexuality and theoretical questions as to their use.
Produktdetails
- Produktdetails
- Verlag: Routledge
- Seitenzahl: 272
- Erscheinungstermin: 21. Januar 2016
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 386g
- ISBN-13: 9781138662087
- ISBN-10: 1138662089
- Artikelnr.: 45331515
- Verlag: Routledge
- Seitenzahl: 272
- Erscheinungstermin: 21. Januar 2016
- Englisch
- Abmessung: 234mm x 156mm x 14mm
- Gewicht: 386g
- ISBN-13: 9781138662087
- ISBN-10: 1138662089
- Artikelnr.: 45331515
Jonas Liliequist
Introduction, Jonas Liliequist; Chapter 1 Theories of Change in the History
of Emotions, Barbara H. Rosenwein; Chapter 2 Ottoman Love: Preface to a
Theory of Emotional Ecology, Walter Andrews; Chapter 3 Preachers, Saints
and Sinners: Emotional Repertoires in High Medieval Religious Role Models,
Christina Lutter; Chapter 4 Theology and Interiority: Emotions as Evidence
of the Working of Grace in Elizabethan and Stuart Conversion Narratives,
Paola Baseotto; Chapter 5 'Finer' Feelings: Sociability, Sensibility and
the Emotions of Gens de Lettres in Eighteenth-Century France, Anne C. Vila;
Chapter 6 Music as Wonder and Delight: Construction of Gender in Early
Modern Opera Through Musical Representation and Arousal of Emotions,
Johanna Ethnersson Pontara; Chapter 7 Politesse and Sprezzatura: The
History of Emotions in the Art of Antoine Watteau, Pamela W. Whedon;
Chapter 8 Emotions and Gender: The Case of Anger in Early Modern English
Revenge Tragedies, Kristine Steenbergh; Chapter 9 Beauty, Masculinity and
Love Between Men: Configuring Emotions with Michael Drayton's Peirs
Gaveston, Anu Korhonen; Chapter 10 'Pray, Dr, is there Reason to Fear a
Cancer?' Fear of Breast Cancer in Early Modern Britain, Marjo Kaartinen;
Chapter 11 The Little Girl who could not Stop Crying: The Use of Emotions
as Signifiers of True Conversion in Eighteenth-Century Greenland, Allan
Sortkaer; Chapter 12 The Political Rhetoric of Tears in Early Modern
Sweden, Jonas Liliequist;
of Emotions, Barbara H. Rosenwein; Chapter 2 Ottoman Love: Preface to a
Theory of Emotional Ecology, Walter Andrews; Chapter 3 Preachers, Saints
and Sinners: Emotional Repertoires in High Medieval Religious Role Models,
Christina Lutter; Chapter 4 Theology and Interiority: Emotions as Evidence
of the Working of Grace in Elizabethan and Stuart Conversion Narratives,
Paola Baseotto; Chapter 5 'Finer' Feelings: Sociability, Sensibility and
the Emotions of Gens de Lettres in Eighteenth-Century France, Anne C. Vila;
Chapter 6 Music as Wonder and Delight: Construction of Gender in Early
Modern Opera Through Musical Representation and Arousal of Emotions,
Johanna Ethnersson Pontara; Chapter 7 Politesse and Sprezzatura: The
History of Emotions in the Art of Antoine Watteau, Pamela W. Whedon;
Chapter 8 Emotions and Gender: The Case of Anger in Early Modern English
Revenge Tragedies, Kristine Steenbergh; Chapter 9 Beauty, Masculinity and
Love Between Men: Configuring Emotions with Michael Drayton's Peirs
Gaveston, Anu Korhonen; Chapter 10 'Pray, Dr, is there Reason to Fear a
Cancer?' Fear of Breast Cancer in Early Modern Britain, Marjo Kaartinen;
Chapter 11 The Little Girl who could not Stop Crying: The Use of Emotions
as Signifiers of True Conversion in Eighteenth-Century Greenland, Allan
Sortkaer; Chapter 12 The Political Rhetoric of Tears in Early Modern
Sweden, Jonas Liliequist;
Introduction, Jonas Liliequist; Chapter 1 Theories of Change in the History
of Emotions, Barbara H. Rosenwein; Chapter 2 Ottoman Love: Preface to a
Theory of Emotional Ecology, Walter Andrews; Chapter 3 Preachers, Saints
and Sinners: Emotional Repertoires in High Medieval Religious Role Models,
Christina Lutter; Chapter 4 Theology and Interiority: Emotions as Evidence
of the Working of Grace in Elizabethan and Stuart Conversion Narratives,
Paola Baseotto; Chapter 5 'Finer' Feelings: Sociability, Sensibility and
the Emotions of Gens de Lettres in Eighteenth-Century France, Anne C. Vila;
Chapter 6 Music as Wonder and Delight: Construction of Gender in Early
Modern Opera Through Musical Representation and Arousal of Emotions,
Johanna Ethnersson Pontara; Chapter 7 Politesse and Sprezzatura: The
History of Emotions in the Art of Antoine Watteau, Pamela W. Whedon;
Chapter 8 Emotions and Gender: The Case of Anger in Early Modern English
Revenge Tragedies, Kristine Steenbergh; Chapter 9 Beauty, Masculinity and
Love Between Men: Configuring Emotions with Michael Drayton's Peirs
Gaveston, Anu Korhonen; Chapter 10 'Pray, Dr, is there Reason to Fear a
Cancer?' Fear of Breast Cancer in Early Modern Britain, Marjo Kaartinen;
Chapter 11 The Little Girl who could not Stop Crying: The Use of Emotions
as Signifiers of True Conversion in Eighteenth-Century Greenland, Allan
Sortkaer; Chapter 12 The Political Rhetoric of Tears in Early Modern
Sweden, Jonas Liliequist;
of Emotions, Barbara H. Rosenwein; Chapter 2 Ottoman Love: Preface to a
Theory of Emotional Ecology, Walter Andrews; Chapter 3 Preachers, Saints
and Sinners: Emotional Repertoires in High Medieval Religious Role Models,
Christina Lutter; Chapter 4 Theology and Interiority: Emotions as Evidence
of the Working of Grace in Elizabethan and Stuart Conversion Narratives,
Paola Baseotto; Chapter 5 'Finer' Feelings: Sociability, Sensibility and
the Emotions of Gens de Lettres in Eighteenth-Century France, Anne C. Vila;
Chapter 6 Music as Wonder and Delight: Construction of Gender in Early
Modern Opera Through Musical Representation and Arousal of Emotions,
Johanna Ethnersson Pontara; Chapter 7 Politesse and Sprezzatura: The
History of Emotions in the Art of Antoine Watteau, Pamela W. Whedon;
Chapter 8 Emotions and Gender: The Case of Anger in Early Modern English
Revenge Tragedies, Kristine Steenbergh; Chapter 9 Beauty, Masculinity and
Love Between Men: Configuring Emotions with Michael Drayton's Peirs
Gaveston, Anu Korhonen; Chapter 10 'Pray, Dr, is there Reason to Fear a
Cancer?' Fear of Breast Cancer in Early Modern Britain, Marjo Kaartinen;
Chapter 11 The Little Girl who could not Stop Crying: The Use of Emotions
as Signifiers of True Conversion in Eighteenth-Century Greenland, Allan
Sortkaer; Chapter 12 The Political Rhetoric of Tears in Early Modern
Sweden, Jonas Liliequist;