A History of Stringed Keyboard Instruments - Pollens, Stewart
36,99 €
inkl. MwSt.
Versandkostenfrei*
Versandfertig in 1-2 Wochen
  • Broschiertes Buch

"This chapter deals with the earliest references to keyboard instruments in the writings of Martin Agricola, Henri Arnaut of Zwolle, Juan Bermudo, Ercole Bottrigari, Antonio de Cabezon, Eberhardus Cersne, Paulus Paulirinus, Hermann Poll, Michael Praetorius, Sesto Tantini, Sebastian Virdung, and others. Described is the earliest depiction of a keyboard instrument appearing in an altarpiece carving in the cathedral of Minden, Germany, as well as the earliest extant keyboard instrument, a clavicytherium made around 1480, now in the Royal College of Music, London. This chapter deals with the…mehr

Andere Kunden interessierten sich auch für
Produktbeschreibung
"This chapter deals with the earliest references to keyboard instruments in the writings of Martin Agricola, Henri Arnaut of Zwolle, Juan Bermudo, Ercole Bottrigari, Antonio de Cabezon, Eberhardus Cersne, Paulus Paulirinus, Hermann Poll, Michael Praetorius, Sesto Tantini, Sebastian Virdung, and others. Described is the earliest depiction of a keyboard instrument appearing in an altarpiece carving in the cathedral of Minden, Germany, as well as the earliest extant keyboard instrument, a clavicytherium made around 1480, now in the Royal College of Music, London. This chapter deals with the origin of such terms as the chekker, clavichordium, clavicembalo, clavicimbalo, clavicymbalum, claviciterium, clavicytherium, clavisimbalum, dulce melos, epinette, manichordium, monochordion, and monocordo. Also considered are the keyboard ranges of early keyboard instruments and the earliest music written for keyboard instruments, such as the Mulliner Book, Robertsbridge fragment and Faenza Codex"--
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Autorenporträt
Trained as a harpsichord, organ, and violin maker, Stewart Pollens served as the conservator of musical instruments at The Metropolitan Museum of Art from 1976 to 2006. He has published widely on the history of musical instruments and is the recipient of the American Musical Instrument Society's 1997 Bessaraboff Prize for The Early Pianoforte (Cambridge University Press, 1995).