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From the diverse proto-musicals of the mid-1800s, through the revues of the 1920s, the 'true musicals' of the 1940s, the politicization of the 1960s, the 'mega-musicals' of the 1980s, and the explosive jukebox musicals of the 2010s and '20s, every era in American musical theatre reflected a unique set of socio-cultural factors.
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"Although not the first such history, it is one of the best and most approachable I've read." - The Stage
"Hurwitz (Rider Univ.) presents a straightforward, well-organized account of the history of the Broadway musical stage. After introducing the European roots of musical theater, he begins his formal New World narrative with stage activities in pre-Revolutionary America and continues through to the early months of 2014 (though his account of recent years seems primarily a listing show by show). Hurwitz does a good job emphasizing business aspects, relating musicals to the changing social environment, and comparing shows from one period to another. Summing Up: Recommended." - R. D. Johnson, SUNY College at Oneonta, CHOICE
"Hurwitz (Rider Univ.) presents a straightforward, well-organized account of the history of the Broadway musical stage. After introducing the European roots of musical theater, he begins his formal New World narrative with stage activities in pre-Revolutionary America and continues through to the early months of 2014 (though his account of recent years seems primarily a listing show by show). Hurwitz does a good job emphasizing business aspects, relating musicals to the changing social environment, and comparing shows from one period to another. Summing Up: Recommended." - R. D. Johnson, SUNY College at Oneonta, CHOICE
"Although not the first such history, it is one of the best and most approachable I've read." - The Stage
"Hurwitz (Rider Univ.) presents a straightforward, well-organized account of the history of the Broadway musical stage. After introducing the European roots of musical theater, he begins his formal New World narrative with stage activities in pre-Revolutionary America and continues through to the early months of 2014 (though his account of recent years seems primarily a listing show by show). Hurwitz does a good job emphasizing business aspects, relating musicals to the changing social environment, and comparing shows from one period to another. Summing Up: Recommended." - R. D. Johnson, SUNY College at Oneonta, CHOICE
"Hurwitz (Rider Univ.) presents a straightforward, well-organized account of the history of the Broadway musical stage. After introducing the European roots of musical theater, he begins his formal New World narrative with stage activities in pre-Revolutionary America and continues through to the early months of 2014 (though his account of recent years seems primarily a listing show by show). Hurwitz does a good job emphasizing business aspects, relating musicals to the changing social environment, and comparing shows from one period to another. Summing Up: Recommended." - R. D. Johnson, SUNY College at Oneonta, CHOICE