A History of the Harlem Renaissance
Herausgeber: Farebrother, Rachel; Thaggert, Miriam
A History of the Harlem Renaissance
Herausgeber: Farebrother, Rachel; Thaggert, Miriam
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This book presents original essays that provide comprehensive analysis of the dynamism of Harlem Renaissance literature and culture. An authoritative collection on the major writers and issues of the period, it takes stock of nearly a hundred years of Harlem Renaissance studies.
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This book presents original essays that provide comprehensive analysis of the dynamism of Harlem Renaissance literature and culture. An authoritative collection on the major writers and issues of the period, it takes stock of nearly a hundred years of Harlem Renaissance studies.
Produktdetails
- Produktdetails
- Verlag: Cambridge University Press
- Seitenzahl: 452
- Erscheinungstermin: 18. März 2021
- Englisch
- Abmessung: 231mm x 155mm x 33mm
- Gewicht: 778g
- ISBN-13: 9781108493574
- ISBN-10: 1108493572
- Artikelnr.: 60401419
- Verlag: Cambridge University Press
- Seitenzahl: 452
- Erscheinungstermin: 18. März 2021
- Englisch
- Abmessung: 231mm x 155mm x 33mm
- Gewicht: 778g
- ISBN-13: 9781108493574
- ISBN-10: 1108493572
- Artikelnr.: 60401419
Introduction: revising a renaissance Rachel Farebrother and Miriam
Thaggert; Part I. Re-reading the New Negro: 1. Cultural nationalism and
cosmopolitanism in the Harlem renaissance Daniel G. Williams; 2. Making the
slave anew: poetry, history, and the archive in New Negro renaissance
poetry Clare Corbould; 3. The New Negro among White Modernists Kathleen
Pfeiffer; 4. The Bildungsroman in the Harlem renaissance Mark Whalan; 5.
The visual image in New Negro renaissance print culture Caroline Goeser;
Part II. Experimenting with the New Negro: 6. Gwendolyn Brooks: riot after
the New Negro Renaissance Sonya Posmentier; 7. Romans à clef of the Harlem
renaissance Sinéad Moynihan; 8. Modernist biography and the question of
manhood: Eslanda Goode Robeson's Paul Robeson, Negro Fionnghuala Sweeney;
9. Modernism and women poets of the Harlem renaissance Maureen Honey; 10.
Children's Literature of the Harlem Renaissance Katharine Capshaw; Part
III. Re-mapping the New Negro: 11. London, New York, and the Black
Bolshevik renaissance: radical black internationalism during the New Negro
renaissance James Smethurst; 12. Island relations, continental visions, and
graphic networks Jak Peake; 13. 'Symbols from within': charting the
nation's regions in James Weldon Johnson's God's trombones Noelle
Morrissette; 14. Rudolph Fisher: renaissance man and Harlem's interpreter
Jonathan Munby; Part IV. Performing the New Negro: 15. Zora Neale Hurston's
early plays Mariel Rodney; 16. Zora Neale Hurston, film, and ethnography
Hannah Durkin; 17. The pulse of Harlem: African-American music and the New
Negro revival Andrew Warnes; 18. The figure of the child dancer in Harlem
renaissance literature and visual culture Rachel Farebrother; 19. Jazz and
the Harlem renaissance Wendy Martin; 20. Alain Locke and the value of the
Harlem: from racial axiology to the axiology of race Shane Vogel; Afterword
Deborah E. McDowell.
Thaggert; Part I. Re-reading the New Negro: 1. Cultural nationalism and
cosmopolitanism in the Harlem renaissance Daniel G. Williams; 2. Making the
slave anew: poetry, history, and the archive in New Negro renaissance
poetry Clare Corbould; 3. The New Negro among White Modernists Kathleen
Pfeiffer; 4. The Bildungsroman in the Harlem renaissance Mark Whalan; 5.
The visual image in New Negro renaissance print culture Caroline Goeser;
Part II. Experimenting with the New Negro: 6. Gwendolyn Brooks: riot after
the New Negro Renaissance Sonya Posmentier; 7. Romans à clef of the Harlem
renaissance Sinéad Moynihan; 8. Modernist biography and the question of
manhood: Eslanda Goode Robeson's Paul Robeson, Negro Fionnghuala Sweeney;
9. Modernism and women poets of the Harlem renaissance Maureen Honey; 10.
Children's Literature of the Harlem Renaissance Katharine Capshaw; Part
III. Re-mapping the New Negro: 11. London, New York, and the Black
Bolshevik renaissance: radical black internationalism during the New Negro
renaissance James Smethurst; 12. Island relations, continental visions, and
graphic networks Jak Peake; 13. 'Symbols from within': charting the
nation's regions in James Weldon Johnson's God's trombones Noelle
Morrissette; 14. Rudolph Fisher: renaissance man and Harlem's interpreter
Jonathan Munby; Part IV. Performing the New Negro: 15. Zora Neale Hurston's
early plays Mariel Rodney; 16. Zora Neale Hurston, film, and ethnography
Hannah Durkin; 17. The pulse of Harlem: African-American music and the New
Negro revival Andrew Warnes; 18. The figure of the child dancer in Harlem
renaissance literature and visual culture Rachel Farebrother; 19. Jazz and
the Harlem renaissance Wendy Martin; 20. Alain Locke and the value of the
Harlem: from racial axiology to the axiology of race Shane Vogel; Afterword
Deborah E. McDowell.
Introduction: revising a renaissance Rachel Farebrother and Miriam
Thaggert; Part I. Re-reading the New Negro: 1. Cultural nationalism and
cosmopolitanism in the Harlem renaissance Daniel G. Williams; 2. Making the
slave anew: poetry, history, and the archive in New Negro renaissance
poetry Clare Corbould; 3. The New Negro among White Modernists Kathleen
Pfeiffer; 4. The Bildungsroman in the Harlem renaissance Mark Whalan; 5.
The visual image in New Negro renaissance print culture Caroline Goeser;
Part II. Experimenting with the New Negro: 6. Gwendolyn Brooks: riot after
the New Negro Renaissance Sonya Posmentier; 7. Romans à clef of the Harlem
renaissance Sinéad Moynihan; 8. Modernist biography and the question of
manhood: Eslanda Goode Robeson's Paul Robeson, Negro Fionnghuala Sweeney;
9. Modernism and women poets of the Harlem renaissance Maureen Honey; 10.
Children's Literature of the Harlem Renaissance Katharine Capshaw; Part
III. Re-mapping the New Negro: 11. London, New York, and the Black
Bolshevik renaissance: radical black internationalism during the New Negro
renaissance James Smethurst; 12. Island relations, continental visions, and
graphic networks Jak Peake; 13. 'Symbols from within': charting the
nation's regions in James Weldon Johnson's God's trombones Noelle
Morrissette; 14. Rudolph Fisher: renaissance man and Harlem's interpreter
Jonathan Munby; Part IV. Performing the New Negro: 15. Zora Neale Hurston's
early plays Mariel Rodney; 16. Zora Neale Hurston, film, and ethnography
Hannah Durkin; 17. The pulse of Harlem: African-American music and the New
Negro revival Andrew Warnes; 18. The figure of the child dancer in Harlem
renaissance literature and visual culture Rachel Farebrother; 19. Jazz and
the Harlem renaissance Wendy Martin; 20. Alain Locke and the value of the
Harlem: from racial axiology to the axiology of race Shane Vogel; Afterword
Deborah E. McDowell.
Thaggert; Part I. Re-reading the New Negro: 1. Cultural nationalism and
cosmopolitanism in the Harlem renaissance Daniel G. Williams; 2. Making the
slave anew: poetry, history, and the archive in New Negro renaissance
poetry Clare Corbould; 3. The New Negro among White Modernists Kathleen
Pfeiffer; 4. The Bildungsroman in the Harlem renaissance Mark Whalan; 5.
The visual image in New Negro renaissance print culture Caroline Goeser;
Part II. Experimenting with the New Negro: 6. Gwendolyn Brooks: riot after
the New Negro Renaissance Sonya Posmentier; 7. Romans à clef of the Harlem
renaissance Sinéad Moynihan; 8. Modernist biography and the question of
manhood: Eslanda Goode Robeson's Paul Robeson, Negro Fionnghuala Sweeney;
9. Modernism and women poets of the Harlem renaissance Maureen Honey; 10.
Children's Literature of the Harlem Renaissance Katharine Capshaw; Part
III. Re-mapping the New Negro: 11. London, New York, and the Black
Bolshevik renaissance: radical black internationalism during the New Negro
renaissance James Smethurst; 12. Island relations, continental visions, and
graphic networks Jak Peake; 13. 'Symbols from within': charting the
nation's regions in James Weldon Johnson's God's trombones Noelle
Morrissette; 14. Rudolph Fisher: renaissance man and Harlem's interpreter
Jonathan Munby; Part IV. Performing the New Negro: 15. Zora Neale Hurston's
early plays Mariel Rodney; 16. Zora Neale Hurston, film, and ethnography
Hannah Durkin; 17. The pulse of Harlem: African-American music and the New
Negro revival Andrew Warnes; 18. The figure of the child dancer in Harlem
renaissance literature and visual culture Rachel Farebrother; 19. Jazz and
the Harlem renaissance Wendy Martin; 20. Alain Locke and the value of the
Harlem: from racial axiology to the axiology of race Shane Vogel; Afterword
Deborah E. McDowell.