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A History of the Symphony identifies the underlying cultural factors that have shaped the symphony over the past three hundred years, presenting a unified view of the entire history of the genre.
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A History of the Symphony identifies the underlying cultural factors that have shaped the symphony over the past three hundred years, presenting a unified view of the entire history of the genre.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 262
- Erscheinungstermin: 8. November 2019
- Englisch
- Abmessung: 254mm x 183mm x 23mm
- Gewicht: 635g
- ISBN-13: 9780815357049
- ISBN-10: 0815357044
- Artikelnr.: 58315891
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Taylor & Francis Ltd (Sales)
- Seitenzahl: 262
- Erscheinungstermin: 8. November 2019
- Englisch
- Abmessung: 254mm x 183mm x 23mm
- Gewicht: 635g
- ISBN-13: 9780815357049
- ISBN-10: 0815357044
- Artikelnr.: 58315891
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Jeffrey Langford is Associate Dean for Doctoral Studies at the Manhattan School of Music in New York, NY.
PART I: THE CLASSICAL SYMPHONY
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
PART I: THE CLASSICAL SYMPHONY
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues
Chapter 1 - Origins of the Genre: From Pergolesi to Early Haydn
Pergolesi and the Italian Sinfonia
Stamitz and the Mannheim School; C.P.E. Bach and the Empfindsam Stil
Early Haydn
Chapter 2 - Maturation of the Genre: Haydn and Mozart
Haydn: From Servant to Entrepreneur
The Genius of Mozart
Chapter 3 - From Classicism to Romanticism
Beethoven and the Destruction of the Classical Style
Schubert and the First Signs of Romanticism
PART II: THE ROMANTIC SYMPHONY
Chapter 4 - The Romantic Generation: Tradition vs. the Avant-garde
Berlioz and the Romantic Revolution
Mendelssohn's Classical Romanticism
Tradition and Innovation in the Symphonies of Schumann
The Janus Face of Brahms
Liszt and the Symphonic Avant-garde
Chapter 5 - Musical Nationalism: Eastern Europe and Russia
The Politics of Nationalism in the Symphonies of Smetana and Dvöák
The "Mighty Five" and Tchaikovsky
Chapter 6 - The Late Romantic Symphony: Mahler and Strauss
Mahler as "Song-symphonist"
Strauss and the Tome Poem
PART III: THE SYMPHONY IN THE MODERN ERA
Chapter 7 - The Early 20th Century
Debussy and the Transition to the Modern Era
The Unique Path of Sibelius
Chapter 8 - Masters of the 20th Century: From Ives to Shostakovich
Ives as Symphonic Iconoclast
Prokofiev and the Neo-Classical Style
The Changing Symphonic Face of Stravinsky
Hindemith and the Nazis
The Enigma of Shostakovich
Chapter 9 - Contemporary Views of the Symphony
20th-Century Reinterpretations of the Symphony: Messiaen, Penderecki, and Lutoslawski
Post-modern Symphonies and Gender Issues