In the early twentieth century, South America became the most important market for European opera and musical theatre and this Element explores Walter Mocchi's transoceanic role in this revolution. He staged world premieres of works by Italian superstars in Argentina, offering an early example of what Stephen Greenblatt calls 'cultural mobility'.
In the early twentieth century, South America became the most important market for European opera and musical theatre and this Element explores Walter Mocchi's transoceanic role in this revolution. He staged world premieres of works by Italian superstars in Argentina, offering an early example of what Stephen Greenblatt calls 'cultural mobility'.
1. Introduction 2. Crisis in Italy, opportunity in South America: theatrical economies at the turn of the twentieth century 3. Mocchi in South America: the Sociedad Teatral ¿talo-Argentina 4. Mocchi in Italy: the early years of the Società Teatrale Internazionale 5. Becoming the 'Buffalo Bill of Italian impresarios': Mocchi and La Teatral 6. Mocchi and World War I: new challenges, new cooperations 7. New initiatives, new controversies: Mocchi in the 1920s and 1930s 7. Epilogue.
1. Introduction 2. Crisis in Italy, opportunity in South America: theatrical economies at the turn of the twentieth century 3. Mocchi in South America: the Sociedad Teatral ¿talo-Argentina 4. Mocchi in Italy: the early years of the Società Teatrale Internazionale 5. Becoming the 'Buffalo Bill of Italian impresarios': Mocchi and La Teatral 6. Mocchi and World War I: new challenges, new cooperations 7. New initiatives, new controversies: Mocchi in the 1920s and 1930s 7. Epilogue.
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