The first history of the Queen's Servants, parallel players to Shakespeare's company, and their playhouse, The Red Bull.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Eva Griffith is a theatre historian working on early seventeenth-century entertainment, spectacle and drama. She began acting at the age of seven, performing in many film, television and theatre productions. Owing her entire existence to the performance of Shakespeare (her parents met during an Old Vic touring production of A Midsummer Night's Dream), she was encouraged in an interest in literature and history through united family concerns. As an academic she has researched internationally with the help of fellowships for example at the Huntington Library and the Harry Ransom Center in America, gaining funding, prizes and bursaries from the British Academy, the Malone Society and the Society for Theatre Research. She has published on Red Bull-related topics in Huntington Library Quarterly and in Richard Dutton's award-winning Oxford Handbook of Early Modern Theatre. She is currently working on a book on the poet, playwright and masque-writer, James Shirley, having written on him for The Times Literary Supplement and Four Courts Press. She acted as Research Associate on The Complete Works of James Shirley at Durham University and is editing a play for this large-scale edition - Changes; or, Love in a Maze.
Inhaltsangabe
Introduction: The Red Bull Theatre, St John Street 1. Elizabethan contexts for a Jacobean playhouse: Clerkenwell, East Anglia, the Strand and the Liberty of the Clink (1586-99) 2. The Earl of Worcester, the Essex Circle, the Queen's Servants and their playhouses (1586-1607) 3. Who were the Queen's Servants? What was the Red Bull like? 4. The court and its women: Queen Anna, her circle, and some women-centred plays 5. Entities and splinter groups: the Queen's Servants' companies at the courts, in England and in Europe 6. The company: 1605-12 7. The company: 1612-19 Conclusion: St John's Day at night.
Introduction: The Red Bull Theatre, St John Street 1. Elizabethan contexts for a Jacobean playhouse: Clerkenwell, East Anglia, the Strand and the Liberty of the Clink (1586-99) 2. The Earl of Worcester, the Essex Circle, the Queen's Servants and their playhouses (1586-1607) 3. Who were the Queen's Servants? What was the Red Bull like? 4. The court and its women: Queen Anna, her circle, and some women-centred plays 5. Entities and splinter groups: the Queen's Servants' companies at the courts, in England and in Europe 6. The company: 1605-12 7. The company: 1612-19 Conclusion: St John's Day at night.
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