A Caroline-era stage play first published in 1652, this comedy is about four noble lovers who join the beggar community for a pastoral life of song and dance, only to find that that the reality of vagabond life is quite different from its literary depiction. This edition includes critical commentary as well as appendixes on the play's six songs, and on rogue literature and cant.
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The general sense one has from this Arden edition is that it finally refocuses and steadies a work that has been in flux from the moment it was written. Brome himself even included updates and rewrites to include more contemporary allusions when the play was published ten years later. Which isn't to say that Brome has fallen into complete obscurity . [I]n producing this handsome edition, another punctuation mark in theatrical history is emphasised and how lucky we were that it was a comma rather than a full stop. Stuart Ian Burns The Hamlet Weblog