A Joy for Ever, and Its Price in the Market - Ruskin, John
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In all probability the greatest Victorian critic of art and society, John Ruskin had an enormous influence on his age and our own, and like so many Victorians of the age, he had astonishing energy. While carrying on a voluminous correspondence with the intellectual luminaries of his day, he published poetry, children's literature, and books and essays on geology, botany, church politics, political economy, painting, sculpture, literature, architecture, art education, myth, and aesthetics. A great and successful propagandist for the arts, he did much both to popularize high art and to bring it…mehr

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Produktbeschreibung
In all probability the greatest Victorian critic of art and society, John Ruskin had an enormous influence on his age and our own, and like so many Victorians of the age, he had astonishing energy. While carrying on a voluminous correspondence with the intellectual luminaries of his day, he published poetry, children's literature, and books and essays on geology, botany, church politics, political economy, painting, sculpture, literature, architecture, art education, myth, and aesthetics. A great and successful propagandist for the arts, he did much both to popularize high art and to bring it to the masses as evidenced in this volume containing two essential public addresses from 1857 on "The Discovery and Application of Art" and "The Accumulation and Distribution of Art." Included here are Ruskin's Supplementary Additional Papers: . Education in Art . Art School Notes and . Social Policy. ALSO AVAILABLE AT COSIMO CLASSICS: Ruskin's Political Economy of Art JOHN RUSKIN (1819-1900) was born in London, the only child of prosperous, self-made parents who collected art and encouraged their son's literary activities. Throughout his life, his writings on art had an immense influence on British, European, and American architecture and industrial design. Ruskin's immense body of literary works include Modern Painters, Volume I-IV (1843-1856); The Seven Lamps of Architecture (1849); The Stones of Venice, a collection of essays published between 1851 and 1853; Unto This Last (1862); Munera Pulveris (1862-3); The Crown of Wild Olive (1866); Time and Tide (1867); and Fors Clavigera (1871-84).
Autorenporträt
John Ruskin was an English writer, philosopher, art critic, and polymath during the Victorian era. He lived from 8 February 1819 to 20 January 1900. He published on a wide range of topics, including political economy, myth, ornithology, literature, education, and geology. Ruskin was very interested in Viollet le Duc's work, especially his Dictionary, which he regarded to be "the only book of any value on architecture." He taught it to all of his students, including William Morris. Ruskin used a variety of literary genres and writing styles. In addition to articles and treatises, he also published poems, lectures, travel instructions, correspondence, and even a fairy tale. Additionally, he created in-depth drawings and paintings of decorations, landscapes, birds, plants, and rocks. His early writings on art were written in an ornate style that eventually gave way to simpler language that served to better convey his ideas. He highlighted the links between nature, art, and society in all of his writing.