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A Joy For Ever - Ruskin, John
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A Joy For Ever is a book about art, art history and the art collecting market and contains the following passage: "The title of this book,-or, more accurately, of its subject;-for no author was ever less likely than I have lately become, to hope for perennial pleasure to his readers from what has cost himself the most pains,-will be, perhaps, recognised by some as the last clause of the line chosen from Keats by the good folks of Manchester, to be written in letters of gold on the cornice, or Holy rood, of the great Exhibition which inaugurated the career of so many,-since organized, by both…mehr

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Produktbeschreibung
A Joy For Ever is a book about art, art history and the art collecting market and contains the following passage: "The title of this book,-or, more accurately, of its subject;-for no author was ever less likely than I have lately become, to hope for perennial pleasure to his readers from what has cost himself the most pains,-will be, perhaps, recognised by some as the last clause of the line chosen from Keats by the good folks of Manchester, to be written in letters of gold on the cornice, or Holy rood, of the great Exhibition which inaugurated the career of so many,-since organized, by both foreign governments and our own, to encourage the production of works of art, which the producing nations, so far from intending to be their "joy for ever," only hope to sell as soon as possible. Yet the motto was chosen with uncomprehended felicity: for there never was, nor can be, any essential beauty possessed by a work of art, which is not based on the conception of its honoured permanence, and local influence, as a part of appointed and precious furniture, either in the cathedral, the house, or the joyful thoroughfare, of nations which enter their gates with thanksgiving, and their courts with praise."
Autorenporträt
John Ruskin was an English writer, philosopher, art expert, and general know-it-all who lived from February 8, 1819, to January 20, 1900. He wrote about a lot of different things, like architecture, mythology, birds, literature, schooling, botany, politics, and the economy. Ruskin was very interested in Viollet le Duc's work and taught it to all of his students, including William Morris. He thought Violet le Duc's Dictionary was "the only book of any value on architecture." Ruskin used a lot of different writing styles and literary types. Besides essays and treatises, he also wrote poems, gave talks, traveled guides and manuals, letters, and even a fairy tale. He also drew and painted scenes with rocks, plants, birds, scenery, buildings, and decorations in great detail. His early writings on art were written in a very complicated style. Over time, he switched to simpler language that was meant to get his ideas across more clearly. He always stressed the links between nature, art, and society in everything he wrote. Up until the First World War, Ruskin had a huge impact on the second half of the 1800s. After a time of decline, his reputation has steadily gotten better since the 1960s, when a lot of academic studies of his work came out.